Motorik

william_kent

Well-known member
"fake motorik"


Kosmischer Läufer - Golden Tage

supposedly exercise music recorded in 1982 for the East German Olympian athletics team, probably recorded in 21st century UK
 

IdleRich

IdleRich
Could do a whole thread on records with made up backstories

“'Kehrschleife’ was Wolfgang Tilner-Barlow (1949 - 1984).

The Kehrschleife recordings originated from the Mauer park fleamarket in Berlin about 3 years ago, (bought by Allan Murphy of Midwich Youth Club, and cleaned up from the original cassettes by him), they appear to be back-ups of the original Kehrschleife studio master tapes. The tapes are labelled (in German) NDR TV/SFB TV/Radio Bremen themes and Idents and in each cassette case is an A4 sheet detailing the track title/recording date/intended broadcast recipient, with a Kehrschleife/Wolfgang Tilner-Barlow Logo letterhead.
According to the stall holder, the tapes were bought as part of a job lot of 1970's studio equipment from in the Uhlenhorst area, in the 1980's and passed on to him by a relative of the original job lot buyer. Little is known about Tilner-Barlow although the stall owner remembered the name 'Kehrschleife' as being a band from the late 70's Hamburg Neu Deutsche Welle scene. Murphy's research has turned up scant information such as Tilner-Barlow's name on the end credits of a few different 1970's German TV shows and a Rest in Peace notice at the end of an 'Arbeit Heute' show from 1984 on YouTube as well as the music appearing on a home video recording of Berlin in the 1970's (with apparently numbers stations recordings embedded)".
Can't find that release but (just to further muddy the waters) here is a re-edit of it

 

IdleRich

IdleRich
Karen Novotny X was a short lived electronic project based in Hackney, East London and comprised three members; Cy Levene, Anna Bloom and Niko Nicolotti. Meeting and formulating ideas at the London School of Economics and the Slade School of Art around the dawn of 1978. They resided in a number of East London squats and set up makeshift studios with borrowed equipment and Synthesisers purchased by Levene. A creative rush between the spring of 1978 and the summer of 1979, saw them recording a plethora of music primarily influenced by Disco, a number of key Italian composers, Throbbing Gristle, Krautrock and the industrial sounds coming out of Bloom's hometown of Sheffield, not to mention an obsession for Donna Summer's "I Feel Love". This intense 2 year period took it's toll on this very close and guarded threesome and they soon found themselves heading off in three directions. Bloom back to her hometown of Sheffield whilst Niko was enlisted to the Italian Army. The tapes -which included last year's quick sell out GPS 5 trk 7" and cassette- have been coaxed from the reclusive Levene who now resides in Brussels; and leaves the KN X archives empty, with the release of this full length. So what are we left with? Well Levene now looks back on this short, but eminently fruitful period claiming they were trying to make electronic / disco themed pop music in an attempt to get on to TV. While disco may have been at the heart of KN X, a very different beast lurks within. An often dark, unsettling narrative set to simple drum machines, synthesisers, sequences and the isolated, almost childlike vocals of Cy Levene and Anna Bloom puts this shortlived project into a whole new genre. An LP -and series of recordings- that it's creators imagined forever lost to the masses, now seems set to earn itself a key role as main hitter in the murky, yet increasingly researched world of mid to late 70s minimal synth. An extraordinary LP proudly released by The Great Pop Supplement, numbered to 500 white vinyl copies with hand stamped library inner bags and collage insert.
Bullshit!
 

william_kent

Well-known member
“Orion Awakes” was recorded and produced circa 1976 by Toby Robinson a.k.a. Genius P. Orridge, while he worked as second engineer at the famous Dierks Studio in Cologne. Memories from those hazy times are sketchy but all leads to believe that the musicians featured here were well-known names from the Kraut scene under pseudonyms, recording 100% underground, non-commercial music under Toby’s guidance, just for fun.

Apparently, “Orion Awakes” was released as a very limited hand-made pressing housed in a silver foil sleeve on the Pyramid label, which was ran by Toby and his friend Robin Page, the Fluxus artist. No original copies have ever been found.

ditto
 

Mr. Tea

Let's Talk About Ceps
Good thread, just working my way through the tunes posted so far.

On very much the techno-y side of things, does this count as motorik?


Not sure whether the addition of Lennon's hippy blatherings really improves it, tbh, but it's a great tune.
 

Mr. Tea

Let's Talk About Ceps
Is there a hard-and-fast (or even hard-and-mid-tempo) definition of 'motorik', or is it just a 'you know it when you hear it' sort of thing?
 

IdleRich

IdleRich
Is there a hard-and-fast (or even hard-and-mid-tempo) definition of 'motorik', or is it just a 'you know it when you hear it' sort of thing?
I'm sure there is but I don't know it cos i'm not any kind of musician, definitely not a drummer.
 

Benny Bunter

Well-known member
My musical knowledge is also very limited, and I don't think that's a very strict definition. Basically, the bass drum has to be going like the clappers and there's not much variation or swingy groove. Must be quite tiring to play I would imagine, especially if it's a 10 minute krautrock jam.
 

Benny Bunter

Well-known member
Thinking about it a bit more, maybe the bass drum doesn't have to be every 8th note. Best way to think of it is like this

K=Kick drum
S=Snare

KKSKKKSK

That would be one bar that just repeats with very few variations.
 

Benny Bunter

Well-known member
I'm sure the fall probably have a few motorik beats but this is the only one I can think of off the top of my head

 
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