Recent content by unclerico

yeah on the iration system - and it was very intense, but all i was saying is that it doesnt sound screechy or aggressive to me like a lot of brostep stuff does. i like the triplets in the rhythms and synth parts too and the actual choice of sounds is very imaginative. i think its a really...

i like spongebob and i dont like brostep at all, so to be honest i cant really hear the connection although i can appreciate it may have had an impact that influenced the dubstep "scene" in a particular direction. its doesnt sound macho or aggressive to me - more weird and bouncy with a strange...

zomby has made lots of great tunes, why would he need to steal a tune like that. You only need to look on youtube to see loads of unreleased tunes he could have put out instead of natalias song Also another question that came to mind is why would he be collaborating with Reark in the first...

i still think he could have wrote natalia's song like he says he did because it sounds like him. wouldnt be that surprised if when the full story emerges it turns out that he just nicked the vocal sample off reark also i didnt like "dedication" much but really enjoyed "nothing", reminded me of...

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this is the last im going to say about it cos i dont want to go on, but ive noticed a lot of people making excuses for his slapdash approach, as if its intentional but he has always done this - not just on this album if his next album has tracks which are no more than barely sequenced loops...

made me laugh out loud, oh dear

yeah but wiley's tracks are usually beats to rap over so it works better for me like that even though i absolutely love wileys beats (well his old eski ones anyway) i tried to listen to an album of instrumentals and it got monotonous v quick if zomby's music wasnt so original and atmospheric...

its weird because i really like zomby's music but unfortunately i also feel massively frustrated by some of his tunes and particularly this album i just feel a lot of the tracks are great ideas for tracks but the execution in a lot of cases seems lazy and unfinished, mostly in how he sequences...

for me its d double e or wiley

this is all totally true and the way things has turned out is kind of unavoidable, its a shame for those who enjoy the "deep" dubstep experience though. i always thought mala might do a "deep medi" spin off thing, like when he did a deep medi night in manchester, amongst other places - which...

its a very good point - but you could argue that james blake, loefah and kode 9 may hold far less appeal than they did for some precisely because what they are playing is clearly not dubstep it's a bit insulting to describe people wanting to keep dubstep pure as whining. a lot of people still...

one or two of the coki tunes are quite bad, but i could never see coki dropping something like this at dmz:

yeah but they are friends, so for mala to try and tell then what to play or not invite them wouldnt be appropriate. maybe its better to leave it up to skream and benga to make their own mind up about whether it was a mistake or not after the reaction they got? personally i really dislike the...

"I have checked and am fairly certain that almost all are playable.." that seems a bit ominous? there's some good stuff on there but i'm guessing he kept the best stuff back for himself - except his copy of "goodbye yellow brick road" by elton john of course..