Blackest Ever Black

zhao

there are no accidents
ha! for some reason i haven't delved into the berghain sound (steffi, fengler, dettman, ben klock, etc.), how does it stack up against classic german techno? is it still minimal, or more industrial? while i still love all my old basic channel/chain reaction, etc. records from 10+ years ago, i lost interest in keeping up with the later developments and variations.

ok maybe i was a bit too harsh. allow me to be more forgiving and add to what i said before:

well produced background elevator music played really loud on a top system.

there.
 
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padraig (u.s.)

a monkey that will go ape
Perhaps in the vaguest possible sense, the process of discovering something really meaningful and, yes, beautiful which in some way structures your life is politically emancipatory in itself

@zhao - this is also an answer to "doesn't it count for something" (in short, no, but read on)

look bro I see you're sincere + I really don't want to be a jerk but just, no. buying vinyl or wavs on beatport isn't emancipating nothing. neither is necking some pills and dancing with strangers in a warehouse or a field or wherever. “dancefloor unity”, to the extent such a thing even exists at all, will never be anything close to strong enough to compete with the forces of social atomization. it doesn't pay rent or feed anyone (except those who profit off it) or care for the sick etc ad infinitum. not that it should have to. ultimately music is just another product tho. let's not pretend otherwise.

"all music is political" is, I'm sorry, vague, meaningless bullshit.

overtly political music just fucking sucks

fela, victor jara, iww union songs, the zapatista hymn, PE + roots reggae are all overtly political music (tho so is horst wessel lied). obviously pop/politics can + do collide but you can't really compare woody guthrie to club music. different aims. actively political music has its own problems anyway. I won't bore everyone by talking about recuperation.

as far as setting yourself up for failure w.impossible expectations, absolutely. being young + naive don't help. in a sense tho you have to demand the impossible.
 

padraig (u.s.)

a monkey that will go ape
I went + listened to the BEB stuff. I dunno, I like some of it but mostly I’d rather just listen to coil or 23 skidoo or cab volt. some of it reminds me of joy division if every song was atmosphere. totally caught off guard by that bit in the interview about jungle tho. can kind of hear it if I'm listening for it I guess. it's eerie how close raime's views on jungle mirror mine (if either of you check dissensus, bro we are kindred spirits). the mixtapes look cool. if only cos anything with amebix in it got my cosign.
 

SecondLine

Well-known member
@zhao - this is also an answer to "doesn't it count for something" (in short, no, but read on)

look bro I see you're sincere + I really don't want to be a jerk but just, no. buying vinyl or wavs on beatport isn't emancipating nothing. neither is necking some pills and dancing with strangers in a warehouse or a field or wherever. “dancefloor unity”, to the extent such a thing even exists at all, will never be anything close to strong enough to compete with the forces of social atomization. it doesn't pay rent or feed anyone (except those who profit off it) or care for the sick etc ad infinitum. not that it should have to. ultimately music is just another product tho. let's not pretend otherwise.

"all music is political" is, I'm sorry, vague, meaningless bullshit.

can't argue with you really...though it does seem like an unnecessary step to go from 'music is insufficiently emancipatory' to 'music is just another product'. I mean, surely a lot of what's been going on in the last decade (digitisation/piracy) is to do with the square peg round hole situation when you try to subject music to market forces. Sure there's an overlap between the two but the fact that it's by no means a perfect fit suggests that there are different priorities/motivations/whatever at work?

Besides which given your strongly held political orientation how can you justify the amount of time you spend thinking about/discussing/enjoying music (you're on here so I assume that's a lot) if it's just engaging with a product like any other?
 

zhao

there are no accidents
thanks for reminder to keep reading Attali's Noise.

"[Attali] is the first to point out the other possible logical consequence of the “reciprocal interaction” model—namely, the possibility of a superstructure to anticipate historical developments, to foreshadow new social formations in a prophetic and annunciatory way. The argument of Noise is that music, unique among the arts for reasons that are themselves overdetermined, has precisely this annunciatory vocation; that the music of today stands both as a promise of a new, liberating mode of production, and as the menace of a dystopian possibility which is that mode of production’s baleful mirror image."

Padraig, do you think ANY creative endeavor can be potentially insurrectionary, or carry messages which spreads or reinforces insurrectionary consciousness? visual arts? performance art? performing arts? film? television (the Wire)? literature? poetry?

or is all of it exactly the same as selling cars? (just a bunch of useless, pretty cars)
 
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padraig (u.s.)

a monkey that will go ape
how can you justify

you're misunderstanding me. I don't justify nothing. I ain't been rah-rah into politics in a hot minute. won't bore you with details but basically my beliefs haven't changed so much as I came to be painfully aware of their utter futility. like a preacher who completely loses his faith. when I was a kid tho hell yeah there was much anguished handwringing over not profiting off music. the whole thing is a delusion but at least internally consistent so long as you got that belief. I actually have friends who toured by freight train (in the part of the punk scene I was in a lot of us ride them. illegally if that isn't clear) with acoustic instruments playing only free shows. which is pure as you can get, removing $, off the grid, but 1) very few people have the means to do that (even squatting, + dumpster diving/stealing all your needs) + 2) you're still existing on the sufferance. free parties + teknivals is the same thing just on a slightly bigger scale. also look how quickly the early 90s spiral tribe etc free party collapsed at the first touch of government pressure.

just cos you're not paying $ for something doesn't mean it's not a product. there is a cost to everything, readily apparent or otherwise.
 
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padraig (u.s.)

a monkey that will go ape
sorry to everyone to keep going so far o/t from blackest ever black.

one band I was in had a song (written by the singer, an older punk guy from mexico city, so in spanish. I wrote songs about squatting + anarchopunk not being dead + shit. I was so freaking serious. it's on YT I could link it if anyone wants) about the very situ idea that capitalism - or wot do u call it to mean the same - has so thoroughly colonized your mind on such a deep level that it's nearly impossible to be free of it.
 

padraig (u.s.)

a monkey that will go ape
do you think ANY creative endeavor can be potentially insurrectionary

insurrectionary, no. see above comment about inevitability of recuperation. that's not to say making revolutionary art is worthless.

it's not exactly like selling cars but ultimately yes it is at core a commercial transaction.
 

slowtrain

Well-known member
what! and fall back on that fraudulent, fictional, and out dated construct known as "personal taste"? all it ever was is just a combination of hereditary class identity and layers upon layers of cultural conditioning, none of which any of us have the slightest control over, don't you know??

Yes but I don't know what my personal taste.

I need something to help define my personal taste.
 

zhao

there are no accidents
insurrectionary, no. see above comment about inevitability of recuperation. that's not to say making revolutionary art is worthless.

it's not exactly like selling cars but ultimately yes it is at core a commercial transaction.

i believe in the transformative powers of art.
change perceptions, expand perspectives - change the world.

by the way just listened to the mix of label output and i like it! moody and percussive is a nice combination.
 

zhao

there are no accidents
Yes but I don't know what my personal taste.

I need something to help define my personal taste.

with each passing year i care less and less about how i look...
hardly even remember the days of lusting after Iseey Miyake jackets or whatever
these days i just wear whatever is lying around. sometimes the same thing for 2 weeks lol
 

slowtrain

Well-known member
hangingo out with aucklanders has definitely lowered my fashion standards i feel ashamed to call myself a wellingtonian sometimes. sometimes i even say that x is smanging it
 

mistersloane

heavy heavy monster sound
with each passing year i care less and less about how i look...
hardly even remember the days of lusting after Iseey Miyake jackets or whatever
these days i just wear whatever is lying around. sometimes the same thing for 2 weeks lol

Been in Berin too long m8 ;)
 

benjybars

village elder.
so i went to the BEB night at Corsica yesterday.. pretty strange experience

the last thing i went to at Corsica was a Swamp81 night where the crowd was on average about 15 years' younger.. although thinking about it i guess today's Swamp81 crowd will be going to whatever the equivalent of BEB is in 15 years' time..

i only stayed for about 3 hours cos i was so shattered from friday but heard plenty of quality weird music.. very beardy audience.. actually saw one guy scribbling notes in his Molseskine notebook when he was sitting on the subs at the back of room 2. probably a Wire journalist

£4.25 for a can of Red Stripe tho.. fuck sake.
 
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