Shuffling / House Music / Cutting Shapes
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- a 1000 tunes and not 1 anthem are you really from the ends? attractions including a magician bore to the floor bumming radford on twitter buy my japanese internet house 12 darkside donk deadout didn't they do this in 1986? dominic did a tefl course dominic does streetslang esperanto juggalo even trilliam got bored of this fun with balloons i write for the guardian id rather play fifa im dom indie nuum just house innit know the bubble middle class 30 somethings talk house nuff nuum for continuum radford is older than my dad show me the dance top knot trilliam was right trilliam was wrong upgrunt house who the fuck is mark radford words hurt
Haha, I'm glad you could hear it!
So yeah - on the 2nd man like Mark Radford had me on his Rinse show to do an interview and guestmix! Went in with 100% HNH exclusives, unreleased brand new shit for the full mix and talked about the house scene out in Tokyo and how we got started with HNH!
https://soundcloud.com/datwun/hnh-exclusive-guestmix-and-interview-for-mark-radford-on-rinse-fm-020116
Check it out!
So yeah - on the 2nd man like Mark Radford had me on his Rinse show to do an interview and guestmix! Went in with 100% HNH exclusives, unreleased brand new shit for the full mix and talked about the house scene out in Tokyo and how we got started with HNH!
https://soundcloud.com/datwun/hnh-exclusive-guestmix-and-interview-for-mark-radford-on-rinse-fm-020116
Check it out!
Blogpost incoming - but in a word: dizzled
Love love LOVE this track! HARD!
Very happy to say that the Strange Static boys broke it on their mix for us B)
Really hope it goes far!
on a different note... HNH's first release of 2016 is HERE!
https://soundcloud.com/housenothouseuk/sets/hnh-011-malibu-the-malibu-ep-coming
I'm proud of all the music we've put out so far, but this one really is something special. The artist Malibu/Technoman/Shex is a bit of a legend in the bass/house scene here. Safe as fuck and a real character, he dressed exclusively in 80s sportswear and his DJ sets usually end up with him topless but for a gold chain and the crowd going absolutely ham. All his stuff's made on hardware and he churns it out!
This EPs been a long time in the works though. I dunno, I Called U and Satisfied both just sound like absolute anthems to me. Like if MK put I Called U out it would go number 1 standard. Satisfied somehow manages to make breakbeat disco some like the most natural and glorious thing ever. I just hope the EP goes as far as it deserves...
Feeling that track aswell, cant find it though 
Feeling that track aswell, cant find it though
Feeling that track aswell, cant find it though
wild track datwun hope it does well
DMTEK dunno but the guy says it's his friend dj razzlerman might check here https://soundcloud.com/razzlerman
DMTEK dunno but the guy says it's his friend dj razzlerman might check here https://soundcloud.com/razzlerman
Bless @gonzo84d went to that dj razzlerman link u posted and found the song.
Its called:
Table Dance - razzlerman
sick. what ended up doing it for you then?
dunno, i guess it just connects with stuff I tend to like: bassy, bleepy, hypnotic, rolling.
it was through this thread i first heard Truce actually, a Supa D birthday bash set.
nice. hopefully you can start pushing things back in that direction -- lot of it's diffusing towards plain old tech house these days seems like.
12'' would be second deep tech pressing, right? hugo massien on XL then this
apparently Arun Verone has reinvented himself away from the deep tech vibe
http://uk.complex.com/music/2016/01/complex-sessions-002-arun-verone-02
"Having spent the last six to eight months honing my whole image, sound, and the way I play, I felt as if this mix was the perfect opportunity for me to express how much I have truly re-invented myself. I've selected some of my personal favourites in my collection—some old, some new—but most of the tracks represent the only vibe that I now associate myself with."
he also slams the shufflers
"I think it all just comes down to a personal taste, just like most things, but a trend to do with music that needs to go is the whole dramatic shuffling. I don't mind a good bit of smooth footwork, because it's like euphoria watching someone move effortlessly on the dancefloor, but seeing folks attempting aerobics in clubs is just unfair on other dancers who have to be on guard so they don't unexpectedly dance into a backflip-slide-triangle-moonwalk [laughs]. I've been known to do a lovely bit of footwork myself, at family parties, but I think I'll leave it to the professionals at the raves."
pretty craven huh
http://uk.complex.com/music/2016/01/complex-sessions-002-arun-verone-02
"Having spent the last six to eight months honing my whole image, sound, and the way I play, I felt as if this mix was the perfect opportunity for me to express how much I have truly re-invented myself. I've selected some of my personal favourites in my collection—some old, some new—but most of the tracks represent the only vibe that I now associate myself with."
he also slams the shufflers
"I think it all just comes down to a personal taste, just like most things, but a trend to do with music that needs to go is the whole dramatic shuffling. I don't mind a good bit of smooth footwork, because it's like euphoria watching someone move effortlessly on the dancefloor, but seeing folks attempting aerobics in clubs is just unfair on other dancers who have to be on guard so they don't unexpectedly dance into a backflip-slide-triangle-moonwalk [laughs]. I've been known to do a lovely bit of footwork myself, at family parties, but I think I'll leave it to the professionals at the raves."
pretty craven huh
truth
the big names yeah -- majesty, AV, radford's half in half out seems. flame still alive though, check jay power strange static crew j cas karlton phillips datwun mr p
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Thing is, you listen to the Arun Verone mix, and it's pretty hard! Got some really nice moments in there anyway.
The way I've come to see it is, why shouldn't as much great music come out of this techier, housier side of things as the harder UK side?
Like don't get me wrong, I'm fully against artists turning against that UK sound to make some sort of bullshit statement about 'maturity', and I find it depressing as fuck when artists who used to go in hard totally quit doing that sound.
But for me, more than if certain artists are committing treason against the 'nuum or not, the question is how healthy is the rougher, UK edge of deep tech?
I guess as an overriding bit of context to that question is the dire situation with clubs in London. It's pretty obvious that the lack of midsized clubs and club's being really weary of the sort of events they allow to take place (stabbings outside 'urban house' raves etc.) has meant there's barely a club scene for the harder stuff to be played at.
As for the music itself though, I think the health of the harder sound is as much about whether it's still moving forwards and throwing up surprises, as if it's still popular.
In some ways the scene's never produced anything bigger than Hugo's version of Made You Look. But then I hear artists like Dean Allen:
And for me his sound is sui-genisis. Very excited to see where he goes.
Or like with Antonio Noure, who achieves this amazing dark sound which is rich in echoes of all these early UK musics without using any bate elements from them
Digital Danger's banging out like 2-3 amazing dark tracks a week:
But then, like the techier side of the sound is producing a lot of amazing music too, like Majesty was my favourite producer of last year by a country mile.
And even some of the bigger, baiter house stuff is great:
The way I've come to see it is, why shouldn't as much great music come out of this techier, housier side of things as the harder UK side?
Like don't get me wrong, I'm fully against artists turning against that UK sound to make some sort of bullshit statement about 'maturity', and I find it depressing as fuck when artists who used to go in hard totally quit doing that sound.
But for me, more than if certain artists are committing treason against the 'nuum or not, the question is how healthy is the rougher, UK edge of deep tech?
I guess as an overriding bit of context to that question is the dire situation with clubs in London. It's pretty obvious that the lack of midsized clubs and club's being really weary of the sort of events they allow to take place (stabbings outside 'urban house' raves etc.) has meant there's barely a club scene for the harder stuff to be played at.
As for the music itself though, I think the health of the harder sound is as much about whether it's still moving forwards and throwing up surprises, as if it's still popular.
In some ways the scene's never produced anything bigger than Hugo's version of Made You Look. But then I hear artists like Dean Allen:
And for me his sound is sui-genisis. Very excited to see where he goes.
Or like with Antonio Noure, who achieves this amazing dark sound which is rich in echoes of all these early UK musics without using any bate elements from them
Digital Danger's banging out like 2-3 amazing dark tracks a week:
But then, like the techier side of the sound is producing a lot of amazing music too, like Majesty was my favourite producer of last year by a country mile.
And even some of the bigger, baiter house stuff is great: