together we will kick cannabinoid depression
Fair enough. But I don't hear Terre's music as being designed to make me feel anything or to push buttons. It just is full of queer melancholy, because that's where Terre is coming from, and it's something I very much relate to. I don't get that feeling with Actress (who's straight anyway I think). Sky Limousine or Screwtapes I've never heard.late to this but had to point this out for some reason reading this
at a certain point i got really, really sick of feeling 'drenched with queer melancholy' and music designed to make me feel that way. it's not just midtown 120 blues. it's sky limousine, as well. it's screwtapes. it's actress.
it's the button pushing thing. the set-up zones.
linking this back to 'zone of fruitless restraint' and 'the hypnagogic illusion': 'drenched in queer melancholy'.
Dunno about actress being straight or not and frankly I don't care but there was a debate a few months ago on twitter i think about asking black techno producers from the 313 about their sexuality and I was like no, this is a terrible way of relating to queerness, as if it's some parity chart. not to mention the sociopolitical ramifications of being openly queer as a black and brown person in the states. not everyone has to disclose that.Fair enough. But I don't hear Terre's music as being designed to make me feel anything or to push buttons. It just is full of queer melancholy, because that's where Terre is coming from, and it's something I very much relate to. I don't get that feeling with Actress (who's straight anyway I think). Sky Limousine or Screwtapes I've never heard.
Yeah, not buying this idea of Terre being some calculated, Pavlovian artist. She's real, yo.
the way he mixes basic channels dub techno into the end of an hour of deep house really made me realise back when this was first around in 2012 or whatever how much the bassline makes it for me in house. the straight to the point kick and the bassline and everything goes on top of that. when the bassline is too muted or not the main focus i tend to just want garage house with low basslines.Dling. What's the reason?
Had a rethink on this and it's fuckin right on. Yeah I love classy 120-125 deepness. But man, just started putting the tempos up in all my tunes to 130/132. Major improvement in drive, energy and vibe. Old choons that were boringly plodding along are now choo chooing their way along the tracks full of zest and powa! Tnx, third.Think you missed my point there. those records would be played around 130-135 bpm, hard and fast by house standards, loads of crossfader cuts, just listen to any gemini set from the late 90s. Same with DJ Sneak. very bumpy and to the point. it's not european techno is it, it isn't going to go that fast!