step out of your armour and really listen to us
I loved it. I’m hoping the series continues, you’ve done how to write, how to listen, how to make love is the logical next step.
yeah corse thought thats what i was saying
but theres also the thing of that feeling when you happen to encounter, say, a bit of music where you squirm, seize up, hairs stand up, look around shiftily, make sure no one mistakes you for the kind of person who likes this! and maybe trusting that theres good reason for that reaction, pay attention to why, pull it apart, where do you locate it in your body etc rather than just "its music for the boys in your year who you didnt like"
yeah corse thought thats what i was saying
but theres also the thing of that feeling when you happen to encounter, say, a bit of music where you squirm, seize up, hairs stand up, look around shiftily, make sure no one mistakes you for the kind of person who likes this! and maybe trusting that theres good reason for that reaction, pay attention to why, pull it apart, where do you locate it in your body etc rather than just "its music for the boys in your year who you didnt like"
x factor tear-jerks and key changes like i was saying, adele hello, blink 182 i miss you, hans zimmer planet earth. Gunshots to celine dion is an interesting example because a lot of dancehall is unabashed with this sentimentality.
See we can just admit it because we're emotionally honest poets whereas the rest are trying to be all incidentally into avant-garde and wondering what karl marx would think if he were here.