1992
- Thread starter luka
- Start date
blissblogger
Well-known member
nighty night
Woebot
Well-known member
i remember this from a tape you sent over in, must have been, 1995. "eh i've got a little black black disc with me tune on it"
i think you must have added it to a tape of highlights? cos i don't remember the later stuff.
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it was all about prog house as well though. that doesn't make it good does it.
I heard that liquid sweet harmony tune at a rave once and it had the most piss weak bassline i have ever heard. sounds absolutely terrible in a club as well, at least play some merzbow if you are gonna do that.
impossiblle. in Cardiff they went straight from Duran Duran to happy hardcore. Craner is an outlier in that regard. he's always dependent on our good graces. There was no jungle in Wales
one of the rudest times, loads of hilarious moments for the sense of humour thread. those harmonic melodies you get around 56 seconds on this set that dungeons and dragons castlevania boss fight atmosphere, unbelievably exciting, just crazy enough to work. its that demon child chucky doll nonsense energy that feels a lot more like psychedelics than acid mothers temple or something.
a lot of its technical stuff like presing quality and bad youtube rips but you get those huge contrasts between horrible tinny compressed drum grooves and weed bass that sounds incredible
so many irritating unnaceptable frequencies with inexplicable mind control powers, submission music. the horns on istanble pull the same brainwashing trick as the crowd noises in the hackney hardcore tune.
a lot of its technical stuff like presing quality and bad youtube rips but you get those huge contrasts between horrible tinny compressed drum grooves and weed bass that sounds incredible
so many irritating unnaceptable frequencies with inexplicable mind control powers, submission music. the horns on istanble pull the same brainwashing trick as the crowd noises in the hackney hardcore tune.
Yes Kumar gets it. the best hardcore is euphoric, but in a painfully uncomfortable way. like asmus tietchens in London. very queasy. and that's why it rules. A lot of the weeping piano stuff (excluding the landlord stab here ofc) was a capitulation to the house mainstream, though it didn't know it at the time.
the best pianos are eerie hammers concaving your skull in interplanetary orbit.
but stuff like this is charming and all but its not earth shattering or anything. i rarely listen to it.
WashYourHands
Cat Malogen
If you widen your perspective, shit like progressive just siphoned off the chaff, plenty of good House around. Any Castlemorton veterans here?
Went to uni in Cardiff and this is a myth. People traveled outside of Wales & there were no end of nights to choose from locally too. I appreciate some rib tickling, just don’t make me scan a bunch of old fliers now.....
luka
Well-known member
Thirdform is in his twenties so he makes up his own fantasy histories and interpretations of what went on in the '90s. They bear no relationship with reality but that process, what the young make of the past is all part of how the present is constructed. What materials they choose to salvage reclaim redeem and recontextualise.
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luka
Well-known member
Third creates his own realities and maroons us in them.
droid
Well-known member
92 fans should consider picking this up. Contains all the tunes from the first two foul play releases on oblivion.
https://seventhstoreyprojects.com/foul-play-origins-2x12-deluxe-full-artwork-sleeve/
https://seventhstoreyprojects.com/foul-play-origins-2x12-deluxe-full-artwork-sleeve/
luka
Well-known member
This is the flaw that makes you human. You'd be too perfect otherwise.
yyaldrin
in je ogen waait de wind
lure us back in with your mix!
shiels
_
I’m drawn to the stuff that feels like it’s just starting to pull away from house proper