Goodhart's Law & The Wire

luka

Well-known member
looking forward to your posts 3 hours from now in that case. awaiting the revelation.
 

padraig (u.s.)

a monkey that will go ape
The Wire is all about how individuals within a structured system can't really make free, moral decisions without paying for it
not just The Wire. all of Simon's - along with his network of collaborators - projects are about this, at varying levels of directness

Generation Kill is about individual Marines trapped both directly in the minutiae of military bureaucracy and in a larger sense the institutional delusion that drove the planning and execution of the Iraq invasion (for a breakdown I which I'd recommend Fiasco by Thomas Ricks).

The Deuce is about the economic realities of the sex trade and people (including cops) trapped in those realities, and also about the self-propelling logic of gentrification and who it benefits or excludes. The Wire also touches on gentrification in Stringer's storyline - recall him and Avon reminiscing about their youth and Stringer lamenting that he wishes he would've been able to invest in property in the Inner Harbor before its "revitalization".

Show Me a Hero is maybe the purest example besides The Wire itself. A politician, under compulsion but still courageously, tries to do the "right thing" and is punished for it with dire consequences. however, it's also the most hopeful of Simon's works - admittedly a low bar to clear - in that it shows some of its characters achieving limited victories within the bounds of those structures without having to compromise their moral values. which is probably the best you can hope for, most of the time.

I haven't seen Treme but presumably it's about the same kinds of themes in relation to post-Katrina NOLA
 
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padraig (u.s.)

a monkey that will go ape
the most powerful example on The Wire I think, even more than the crime stats, is public schools in Season 4

the 00s being the era of No Child Left Behind, which epitomizes Goodhart's Law

incentivizing every school and teacher to teach to the test over everything else, with exactly the results you'd expect - gaming the numbers to match unrealistic goals, etc - just like the crime stats

thinking more or less continued by Obama admin's educational policy, to my understanding
 
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padraig (u.s.)

a monkey that will go ape
as that article mentions despite Chicago having become notorious for violent crime, nearly all of it is concentrated in a small % of the city

I live in one of those neighborhoods and the contrasts are fucking surreal

I don't even live too deep into the hood and it's still all dudes on street corners, the cops are almost literally a force of military occupation, etc

but you go a mile east or north and it's totally gentrified, fancy restaurants etc, yuppies commuting (pre-pandemic) to DT from converted condos, etc

I work downtown myself - only about five miles away, feels like a different galaxy

predictably, the people most likely to be hella nervous about violent crime live in neighborhoods where it isn't remotely an issue

while people who live here mostly just get on with living and take sensible precautions
 
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padraig (u.s.)

a monkey that will go ape
@version it's 100% about emotion over fact

everything Trump does is an appeal to pathos over logos - that's politics in general but he has a particular knack for it (and zero scruples)
 
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padraig (u.s.)

a monkey that will go ape
but crime is the ultimate dog whistle issue - race, fear of physical safety, etc

I really recommend Show Me a Hero btw

it's like peak Simons on urban decay and the failure of institutions in America (and the West/1st World/Global North generally)

complete with a granular breakdown of the intersection of racism (structural and personal), fear, institutions, and the limits of what policy can achieve
 

padraig (u.s.)

a monkey that will go ape
one thing I want to say about Simon et al tho - the analysis and critique are obviously powerful, but they offer no systemic solutions

it's one thing to say this is wrong, this is what's failing and how it's failing. it's another, vastly more difficult thing to say this is what we should do instead.

that's probably unfair to ask of art - they are after all, not actual policy makers

but he's been banging on this drum so insistently for going on 20 years that it's like - well, what are your plausible better ideas?

the happiest endings his characters ever really got are those small limited victories, the compromises you can live with
 

padraig (u.s.)

a monkey that will go ape
I enjoyed The Wire and Generation Kill.
everything he and his team do is is extremely high quality - intensively researched, every care given to detail and realism, etc

they've carved out a niche - highly admired, critically adored, not very widely watched

basically Ken Burns meets Dickens (albeit without his enormous popularity) for the early 21st century

HBO funding his projects is almost like a public service, or at least a prestige TV loss-leader
 
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WashYourHands

Cat Malogen
looking forward to your posts 3 hours from now in that case. awaiting the revelation.

We met the goddess of the woods, the garden wasn’t enough, stonewalling hemming the 3 of us in a bit. Walked through tendrils of consciousnesses most of the night, spider webs this morning with microbial drops of dew. The spider god had a sense of humour, very welcoming. Did a booster about 2am, brought on a more enhanced visuals. Listened to owls chatting and bats picking off the midges. Ended up in Spar about 8am, getting hot. Had a nap. Head feels purged.
 

sus

Moderator
the most powerful example on The Wire I think, even more than the crime stats, is public schools in Season 4

the 00s being the era of No Child Left Behind, which epitomizes Goodhart's Law

incentivizing every school and teacher to teach to the test over everything else, with exactly the results you'd expect - gaming the numbers to match unrealistic goals, etc - just like the crime stats

thinking more or less continued by Obama admin's educational policy, to my understanding

Haven't got to S4 (just finished 3). But I know Obama was a big fan of Simon, called _The Wire_ the best artistic work of the last couple decades. Maybe I can hold some hope alive that some correctives were instituted for these kind of pitfalls.
 

sus

Moderator
as that article mentions despite Chicago having become notorious for violent crime, nearly all of it is concentrated in a small % of the city

I live in one of those neighborhoods and the contrasts are fucking surreal

I don't even live too deep into the hood and it's still all dudes on street corners, the cops are almost literally a force of military occupation, etc

but you go a mile east or north and it's totally gentrified, fancy restaurants etc, yuppies commuting (pre-pandemic) to DT from converted condos, etc

I work downtown myself - only about five miles away, feels like a different galaxy

predictably, the people most likely to be hella nervous about violent crime live in neighborhoods where it isn't remotely an issue

while people who live here mostly just get on with living and take sensible precautions

Yup, I'm on the border of Brownsville/East New York here. Five minute bike ride northwest and you hit matcha bars and oysters. Five minute ride southeast and I'm pulling out my earbuds at night.
 

sus

Moderator
Gonna watch Show Me a Hero tonight and get back. Sounds right up my alley. I think padraig you're spot on with the lack of solutions part, but as you say, seems like just raising the alarm is important on this stuff. There are solutions to e.g. Goodhart's Law, like using metrics as a supplement to, rather than substitution for, qualitative eval. Bureaucratic structure in general... Hard to say, woof.
 

padraig (u.s.)

a monkey that will go ape
Obama was a big fan of Simon
I knew that I think. it's right up his cerebral alley. and he's not wrong, The Wire is a truly great work, especially if you excise S5.

I agree about "raising the alarm"

or more like, depicting the problems in way that - unlike NGO reports or idk CSPAN or something - has a real cultural footprint

Simon's works no longer have that. there are a number of reasons for that, some of them beyond his control.

the conditions which created prestige TV no longer exist. the monoculture itself no longer exists.

and much of what made The Wire groundbreaking has become standard.

but it's also about the kinds of stories he's chosen, which lean heavily into the sociological depiction at the expense of popular entertainment

not that I want to discourage the making of ambitiously dense ("Dickensian") works about complex, underserved issues

but if you're making art with a message and people aren't really watching it, well

it has a bit of a howling into the wind feeling
 

padraig (u.s.)

a monkey that will go ape
as far as the problems, I'm no statistician

but presumably there are statisticians or other people who are aware of Goodhart's Law and solutions to it, working in criminology, education policy, etc

and yet these unrealistic policies seem to continue to proliferate. overcoming the internal logics of bureaucratic structure, yeah, woof.

I have read that criminology has made advances in determining the majority of violent street crime is usually perpetrated by a very small group of individuals - I think that was already becoming accepted in the field by the time The Wire debuted? but idk, again no expert
 
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