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padraig (u.s.)

a monkey that will go ape
In the same post
you'd have to point to where I said having more academic types was more desirable

I don't think it's more or less desirable

I do push back against luka's anti-intellectualism thing but that's not the same as saying the board sux cos there aren't enough philosphy PhDs

I don't drink either so water and lime is entirely amenable
 

version

Well-known member
The Greek Myths trans. Robert Graves
The Odyssey trans. Robert Fitzgerald
Aeschylus The Oresteia
Sophocles Theban Plays and Ajax
Anything by Euripides
Aristophanes, The Clouds trans. William Arrowsmith
The Greek Anthology ed. Peter Jay
Catullus trans. Peter Green
Cicero's speeches
Ovid Metamorphosis trans. Allan Mandelbaum
Thucydides
Martial's Epigrams
Seneca's Tragedies
Petronius Satyricon trans. William Arrowsmith
Apuleius The Golden Ass trans Robert Graves
KJV Bible: Genesis, Exodus, Deuteronomy, Joshua, Judges, Samuel, Kings, Job, Ecclesiastes, Song of Solomon, Gospels, Acts, Hebrews, Revelation
Arabian Nights trans Husain Haddaway
The Riverside Chaucer

Those are my favorites.
 

WashYourHands

Cat Malogen
@padraig (u.s.) Unquestionable, un-lived zeniths and lived experience aren’t the same, no.

you'd have to point to where I said having more academic types was more desirable

I don't think it's more or less desirable

I do push back against luka's anti-intellectualism thing but that's not the same as saying the board sux cos there aren't enough philosphy PhDs

I don't drink either so water and lime is entirely amenable

A dilution of minds capable of postgrad levels of criticism. Maybe so, but you have to work with what you’ve got.
 

sus

Moderator
canons are about demarcating some kind of cultural affinity, they're inherently not good or bad

Yeah I guess I was just trying to get a sense of the sense of... value? A peek at the hierarchy of qualities people care about and look for and pick out, that gets revealed in an affinity.

e.g. it seems there's some real interest in like, the militant avant-garde worldview, but also counter-culture and the kind of Blakesean ecstatic expression... it's different than the sensibilities I came up with, be they indie (as a teenager) or the academic canon of poetry & literature, or the NYC canon...

Even heard talk about the gap btwn "prog-rock" taste vs the "artsy avant" taste—Gaddis, Pynchon types vs Acker, Burroughs types—but that logic itself is defied here a bit, even if only by the small group who's interested in talking about it
 

padraig (u.s.)

a monkey that will go ape
There's definitely a missing component if you weren't actually there
of course there's a missing element, it doesn't eliminate one's ability to appreciate and critically reason about something

I can argue the reverse, that "being there" makes it harder to critically appraise something separate of your own memories of it
 

version

Well-known member
Totally, but you're also more likely to have seen or heard things which weren't recorded if you were actually there.
 

padraig (u.s.)

a monkey that will go ape
A dilution of minds capable of postgrad levels of criticism
show me where I said a "postgrad level of criticism" was more or less desirable than what we have now

you're making up a negative element I have never expressed. I know I didn't express it because I don't believe it.

there are both advantages and disadvantages to having more academic types, but it's not "better" or "worse" in an overall sense, just different
 

sus

Moderator
I've been thinking a lot about the problems of "not being there" for something

The way that culture is like this ongoing festival of performances, happening on many stages simultaneously, and it's impossible to catch all of it. People stumble in midway, they sit next to folks who've been watching for 40, 50 years, and they get frustrated because they can't understand an in-joke or back-reference on-stage, or the older folks are frustrated by the lack of subtlety in explaining the reference they already got...
 

sus

Moderator
Another problem, familiar to oldtimers of chatrooms, chans, and superorganisms everywhere, is rolling admission: the young’uns showed up yesterday, and they don’t get your inside jokes, and they want to talk about and do things that, well, everyone you know got bored of in the 90s (or that don’t even register as interesting to you).
 

padraig (u.s.)

a monkey that will go ape
Totally, but you're also more likely to have seen or heard things which weren't recorded if you were actually there
sure

the best-placed person to write about something will always be someone who both lived thru it and studied it in retrospect

but people manage to write intelligently about things they didn't live through all the time

there are entire fields of study devoted to that
 

sus

Moderator
I was thinking about all this because of the conversations about indie rock, genre, guitar music. If you hadn't heard the original records, re-hashes aren't re-hashes, and the "quality" is there as if (the illusion is) it were the first time being made (because it's the first time getting heard). I was talking to a friend about Fellini's 8 1/2 and he was talking about how if it got made today, everyone would groan and clutch their stomach about how many pretentious tropes it was engaging in... But of course, it helped found those tropes
 

version

Well-known member
I've been thinking a lot about the problems of "not being there" for something

The way that culture is like this ongoing festival of performances, happening on many stages simultaneously, and it's impossible to catch all of it. People stumble in midway, they sit next to folks who've been watching for 40, 50 years, and they get frustrated because they can't understand an in-joke or back-reference on-stage, or the older folks are frustrated by the lack of subtlety in explaining the reference they already got...
Whether you're there or not, it's like trying to drink a waterfall. There's no way you can ever really get the full picture.
 

padraig (u.s.)

a monkey that will go ape
like should we all stop having opinions about Caravaggio because we didn't live through Baroque Italy

of course not
 

padraig (u.s.)

a monkey that will go ape
If you hadn't heard the original records, re-hashes aren't re-hashes, and the "quality" is there as if (the illusion is) it were the first time being made (because it's the first time getting heard)
this is why I am 100% deadset against scoffing (or as he originally put it, guffawing) at people who "weren't there"

no one is born with some great wealth of cultural references. we were all some wide-eyed clueless teenager once upon a time.
 

WashYourHands

Cat Malogen
All knowledge may be a construct of history, but experienced knowing through participation is first hand evidence, not 2nd hand. Acid house and rave and jungle and various other occurrences were part of broader cultural milieus. They were political in nature as much as they were artistic.

Both forms of accounts provide ‘evidence’, both are susceptible to scrutiny, but one allows for first hand insight. The same things occurs if you had a bloke who stumbled into a sweat-fest in the late 80’s never to return and another who spent the next fifteen years living it.

Context.

show me where I said a "postgrad level of criticism" was more or less desirable than what we have now

you're making up a negative element I have never expressed. I know I didn't express it because I don't believe it.

there are both advantages and disadvantages to having more academic types, but it's not "better" or "worse" in an overall sense, just different

back when there more properly academic people, yr typical post-structuralist biz

Sorry, but ‘properly’ rubbed me up the wrong way. I know you keep prefixing statements with ‘nothing personal’ etc, but that’s all I want to say.
 
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