"What we have suffered from, is manuscript, press, the removal of verse from its producer and its reproducer, the voice, a removal by one, by two removes from its place of origin and its destination. For the breath has a double meaning which latin had not yet lost."
Deleuze talks about a similar double displacement of representation- that the indifferent movement of desire can only be approximated in crude representation (destination) and said representation informs a secondary crude representation of desire itself (origin).
This extends to a conception of art similar to what Olson is getting at with the open poem:
"But on the other, the schizorevolutionary, pole, the value of art is no longer measured except in terms of the decoded and deterritorial-ized flows that it causes to circulate beneath a signifier reduced to silence, beneath the conditions of identity of the parameters, across a structure reduced to impotence; a writing with pneumatic, electronic, or gaseous indifferent supports, and that appears all the more difficult and intellectual to intellectuals as it is accessible to the infirm, the illiterate, and the schizos, embracing all that flows and counterfiows, the gushings of mercy and pity knowing nothing of meanings and aims (the Artaud experiment, the Burroughs experiment). "