linebaugh

Well-known member
I think the 'made fun of for liking indie music my whole life' needs to be explored more.

When I was into 'indie' in highschool and early college I was considered hip and cultural.

And even now indie is still mostly what people our age listen to. Only place I see indie as a general concept ridiculed is here and a with few like minded personal friends.

Who was doing the bullying @suspended ?
 

sus

Moderator
When I was in high school, everyone saw it as "hipster"—purposefully pretentious
When I was in college, everyone saw it as "basic"—like really bro, you haven't moved on
When I was in Dissensus, well, y'all know better than me
 

sus

Moderator
Thanks linebaugh, it was, I felt sad, it really devalued something that had been so important to me. But it was OK, it also set me on a path of discovery—my music knowledge is so much broader, the genres I listen to so much more diverse. So in the long-run it was productive trauma
 

linebaugh

Well-known member
It was looked at as pretentious in highschool for me as well but once everyone caught up around junior and senior year I had enormous cache amongst my peers. Like the madman turned prophet in times of apocalypse
 
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linebaugh

Well-known member
When I was in high school, everyone saw it as "hipster"—purposefully pretentious
When I was in college, everyone saw it as "basic"—like really bro, you haven't moved on
When I was in Dissensus, well, y'all know better than me
Were people at NYU not into mac demarco or parquet courts? Or was that not considered indie?
 

sus

Moderator
what did these people you met in college think wasn't basic? please give me some idea so i can internally ridicule them
They were typically either fans of Silver Jews and Young Marble Giants, or else hyperpop hyperpop hyperpop
 

sus

Moderator
Uptown kids have an inferiority complex which drives them to be edgier than their downtown equivalents, basically
 

luka

Well-known member
time makes the "status halo" of prestige slowly disappear, and avenues for appreciation that were not previously viable become viable. Preference falsification regimes lift because no one has a real stake anymore
theres something in this and im interested in revaluations happen with the passing of time too but i think its more complicated than 'people stop pretending to be cool and admit -band x- were good all along. theres a whole host of other factors eg the way history develops subsequently and how the present conditions our perception of the past etc
 

sus

Moderator
theres something in this and im interested in revaluations happen with the passing of time too but i think its more complicated than 'people stop pretending to be cool and admit -band x- were good all along. theres a whole host of other factors eg the way history develops subsequently and how the present conditions our perception of the past etc
Well let's think about this through disco, the most obvious example

Or if you prefer, The Monkees
 

Leo

Well-known member
most things I've come around to in retrospect are things I didn't fully understand, and thus appreciate, at the time. I sometimes dismissed a band, film, etc. at the time because I misunderstood it, thought it was trying to be one thing when in actuality it was about something else that I wasn't aware of.
 

linebaugh

Well-known member
Well let's think about this through disco, the most obvious example

Or if you prefer, The Monkees
Its hard to say when exactly both examples became cool but maybe the revival is as much to do with contemporary trend of poptimism and the hyper sincere exaltation of pop and consumerist culture as it is people giving up the cool act
 
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