william_kent

Well-known member
Bangalter just got that idea from the KLF's "How to write a number one" where they say:

We await the day with relish that somebody dares to make a dance record that consists of nothing more than an electronically programmed bass drum beat that continues playing the fours monotonously for eight minutes. Then, when somebody else brings one out using exactly the same bass drum sound and at the same beats per minute (B.P.M.), we will all be able to tell which is the best, which inspires the dance floor to fill the fastest, which has the most sex and the most soul. There is no doubt, one will be better than the other.
 

version

Well-known member
i managed 3 minutes of this one, too bad for me if it turns into debussy 4 minutes in
You never listened to EVOL before? All their stuff's like that. They just take sounds from dance music then isolate and loop them.

Mentasm



Acid



Poing

 

wektor

Well-known member
doesn't @wektor work 150 hours a week though so might be tricky to schedule
nays, Ive been doing 3h per week in kensington since I started teaching.
I'm still recovering after that fucking tonsillitis I caught three weeks ago, but from next week on I'm absolutely up for business.

You never listened to EVOL before? All their stuff's like that. They just take sounds from dance music then isolate and loop them.
this gabba one is brettty funkiy
if you listen to it walking it's very easy to trip somehow because of how desync'd the beat gets with your inner brain/steps
 

william_kent

Well-known member
when i put this on, i thought, getting there. at least there's an effort to make a tune. but it doesn't develop and bears an uncanny likeness to the sound of someone yawning.

love the way you've called out Actress as a total fucking chancer in a low-key way

R.I.P is the best of his output that I've heard ( make of that what you will )
 

woops

is not like other people
right i've lapped myself on this thread now and caught up to myself posting i was going back to the start

trust you all enjoyed my incisions
 

woops

is not like other people
some of his tunes do have a nice sturdy sound design to them, I like his catchier breakbeat tunes but the ones that are supposed to freak out the dancefloor or whatever come nowhere close to the shock of flashcore quality

I'm guessing this is a try to bite on a little bit of acid flavour?
it's kind of interesting how dissonant it is, even in the lows, yet it does bounce

the difference between this and the portentous gate stuff i listened to is that this is music
 

wektor

Well-known member
I'm experimenting with some CGI based music for school now actually
Screenshot-2021-11-26-at-20-35-26.png


it's based on a classic double pendulum chaotic system, sounds like this:

 

version

Well-known member
love the way you've called out Actress as a total fucking chancer in a low-key way
To be fair, those tunes were posted specifically as examples of what Luka was describing...

"... so when you model a sound you are modelling a material and a movement and even an implied physics... "

He's got proper tunes too,



 

woops

is not like other people
although now i listen to more of the track it also has the classic thirdform-music quality of becoming quite immersive once you break the barrier
 
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