Not really familiar with it. I've heard some of it, but I couldn't pick a track out if of a lineup.Craner's got some sweet spotify playlists
What do you think of Miles' electric period, Corpsey? (In A Silent Way onwards) That seems to be a lot of people's way in to jazz, especially dissensus types like us.
One thing thats really remarkable about Miles later stuff is that while its certainly 'out there' and experimental and more loosely/uncoventionally structured, its not generally (to my ears at least) 'atonal' and cacophonous either - indeed I think he was pretty contemptuous of free jazz, Ornette Coleman, Albert Ayler etc. He found a 'third way' of sorts in the mid to late 60s into the 70s. In A Silent Way is actually really pretty, and then you've got all the rhythmic funk rock influence and studio trickery in stuff like Bitches Brew and On the Corner that more modern ears can relate to.Not really familiar with it. I've heard some of it, but I couldn't pick a track out if of a lineup.
As craner has noted in order to create this list, I have a musical sweet tooth which means I'm much more receptive towards melodic stuff and as a general rule the more atonal and "free" jazz gets the less I like it.
Saying that I think I've heard and enjoyed some pretty adventurous stuff like Bitches Brew. I just don't feel compelled to listen to it again.
One thing thats really remarkable about Miles later stuff is that while its certainly 'out there' and experimental and more loosely/uncoventionally structured, its not generally (to my ears at least) 'atonal' and cacophonous either - indeed I think he was pretty contemptuous of free jazz, Ornette Coleman, Albert Ayler etc. He found a 'third way' of sorts in the mid to late 60s into the 70s. In A Silent Way is actually really pretty, and then you've got all the rhythmic funk rock influence and studio trickery in stuff like Bitches Brew and On the Corner that more modern ears can relate to.
I'm sure there was a cool luka thread about on the corner but I can't find it now. Fascinating album in that it's his probably both his weirdest record and his most accessible (to rock or dance music fans).My older brother had "Big Fun" when I was a kid, still have fond memories of it and bought my own copy years later. I'm not a Miles fanboy but that, "Get On It" and "On The Corner" are my fav electric albums
The one where he liveblogged listening to it on acid?I'm sure there was a cool luka thread about on the corner but I can't find it now.