sus

Well-known member

The natural cards revolve ever changing
Seeded elsewhere planted in the garden fair grow trees, grow trees
Tongues of the sheer wind
Setting your foot where the sand is untrodden
The ocean that only begins


This one's for you @WashYourHands.
 

sus

Well-known member
Fortune is a wheel; fashion is a lifecycle; but a world lies between planting trees and keeping up with casualwear.
 

sus

Well-known member
The artist-theorist schlepps between boundaries, “everything a remix” so: this there, that here.
 

sus

Well-known member

The natural cards revolve ever changing
Seeded elsewhere planted in the garden fair grow trees, grow trees
Tongues of the sheer wind
Setting your foot where the sand is untrodden
The ocean that only begins


This one's for you @WashYourHands.
So ISB becomes an international squad of bohemians—peripatetic spice traders, importing the mbira, guembri, sārangī.
 

sus

Well-known member
The injection of novel inputs into a system is equivalent to the creation of novel outputs.
 

sus

Well-known member
Stagnant ponds make poor drinking water and breed bloodsuckers; a zero-sum game means, “your pleasure at the cost of mine.”
 

sus

Well-known member
The garden is designed topology (so what?), a space with objects intentionally situated in relation to each other (so what?).
 

sus

Well-known member
The structuring constitute a theory, the plants fertilized yes but also pruned, immigrant seedlings schlepped past wooden fences
 

sus

Well-known member
The stream passes through, nourishes the garden—Heraclitus steps in the stream; it is a new stream; the garden remains.
 

sus

Well-known member
The garden has been placed in the path of a flowing, or a flowing diverted through garden, to bring novelty into structure.
 

sus

Well-known member
Which is to say: fashion flows through the arborescent and nourishes it. Hello institution. Hello commander.
 

sus

Well-known member
“In many ways the Stream is best seen through the lens of Bakhtin’s idea of the utterance. Bakhtin saw the utterance, the conversational turn of speech, as inextricably tied to context. To understand a statement you must go back to things before, you must find out what it was replying to, you must know the person who wrote it and their speech context. To understand your statement I must reconstruct your entire stream.”
 
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