Painting

catalog

Well-known member
Not strictly speaking a painting but I found this the other day and really like it. Never heard of this artist before.

John_Flaxman_-_The_Creation_of_the_Heavens_-_Google_Art_Project.jpg


The Creation of the Heavens, John Flaxman, c.1790
 

Corpsey

bandz ahoy
That's interesting, I know Flaxman as a neoclassicist who did famous illustrations for the Odyssey (as well as various neoclassical sculptures). The drawing (or watercolour?) you've posted looks faintly Blakean

90
 

catalog

Well-known member
Yeah that particular one I posted looks a bit different to most of his others. It's very Blakean, but I like how "cloudy" the figures look.
 

luka

Well-known member
That's interesting, I know Flaxman as a neoclassicist who did famous illustrations for the Odyssey (as well as various neoclassical sculptures). The drawing (or watercolour?) you've posted looks faintly Blakean
Yeah that particular one I posted looks a bit different to most of his others. It's very Blakean, but I like how "cloudy" the figures look.
a gentle, sensitive correction.
 

Corpsey

bandz ahoy
Book of Ruth:

The great and golden rule of art, as well as of life, is this: That the more distinct, sharp, and wirey the bounding line, the more perfect the work of art; and the less keen and sharp, the greater is the evidence of weak imitation, plagiarism, and bungling…. What is it that builds a house and plants a garden, but the definite and determinate? What is it that distinguishes honesty from knavery, but the hard and wirey line of rectitude and certainty in the actions and intentions. Leave out this line and you leave out life itself; all is chaos again. . .
 

jenks

thread death
When I was in Madrid I was struck by how much I enjoyed the Tiepolos and Veroneses . Artists I had tended to breeze past on the way to Valasquez and Goya etc somehow not quite of the first rank when placed next to Titian and Rembrandt.

The more I spent time with them, the more they revealed. Not quite as soft and soapy as I first thought. In fact I was struck by just how modern they felt. I went and looked at the ones in the National the other day - they’ve only got some small Tiepolos but they’ve got a great room of Veroneses that no one is looking at - which was a shame but great for me.

Now I’ve just started Callaso’s Tiepolo Pink, his book on Baudelaire was one of my reads of the year a while back.

 
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