The Hogarth at Tate Mod is very good. Has all the usual paintings you’d expect but also places him in an historical context - what’s going on in Paris, Amsterdam etc and how he’s influenced by, and influences, these Europeans, rather than this cliché parochial English painter. There are two fantastic Chardins in there.
The other really interesting thing is the way the curators have got other voices to talk about the content of the paintings - the sources of wealth from plantations, the black servants, other marginal voices. My wife’s friend felt it was, to use her words ‘too woke’ but I thought it was refreshing to see a gallery tackle this head on rather than go ‘yes, well…mumble mumble things were very different in the past.’