Distance and Cyrus played a belter of an old skool show on Rinse last night, loads of their old dubs plus 03-06 ones from Mystikz, D1, Loefah etc
can we start a Skrillex thread?
http://www.capitalnewyork.com/artic...and-hated-now-noise-skrillex-really-kind-punkreally uninformed stuff that made me angry.
It’s a sound built from electronic music’s detritus: bad synths, corny Jamaican sound and lyric references, Romantic piano melodies, chipmunk vocals, and blow-this-shirt-to-shreds action-film sound effects. But brave as such a stance might sound, Skrillex is not doing it for art. As he’s often said, he’s doing it for fun. And for that reason, Skrillex is pretty punk.
Which bits?
Skrillex’s music is the worst nightmare of electronic music aesthetes because he doesn’t give a shit about the carefully enforced micro-genres, cultural hierarchies, and bro/nerd distinctions that characterize producers, D.J.s, clubs, and every other facet of contemporary dance music life.
Skrillex is not doing it for art. As he’s often said, he’s doing it for fun. And for that reason, Skrillex is pretty punk.
can we start a Skrillex thread?
http://www.capitalnewyork.com/artic...and-hated-now-noise-skrillex-really-kind-punk
this is a mixture of a Reynolds-style argument that he is the new hardcore - 'rupture, tastelessness, discord' - which is a sort of crafty trojan horse argument invading the aesthetic fortresses of respected music critics - and really uninformed stuff that made me angry.
‘Well, I will always push things forward – it’s not about being complacent. But sometimes it’s too far forward. I was playing dubstep three years before anyone even decided to call it dubstep, but I never got known for playing that style. I don’t mind the now generation being seen as the pioneers, but there had to be a Carl Cox pushing the doors open for these guys.’
carl cox in time out!
http://www.timeout.com/london/feature/2233/a-big-ask-carl-cox
LOL...wonder what he was playing?