what you currently enjoying ?

Leo

Leo

Well-known member
Colin Stetson - "New History Warfare Vol. 2: Judges" (on Constellation). Really original sounding solo sax skonk, recorded live in the studio and on first take but you'd never imagine there aren't any overdubs. not strictly improv or jazz, something in between yet highly listenable. anyone into experimental music should check it out.
 
A

adruu

This Is It
Leo said:
Colin Stetson - "New History Warfare Vol. 2: Judges" (on Constellation). Really original sounding solo sax skonk, recorded live in the studio and on first take but you'd never imagine there aren't any overdubs. not strictly improv or jazz, something in between yet highly listenable. anyone into experimental music should check it out.
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goddamn man...thank you...
 
Benny Bunter

Benny Bunter

Well-known member
Haha very timely. Just been slagging the original of this tune on the other thread, but that remix is ace. Continuum why don't you start posting these bassline tunes in the proper thread again so they're all nicely together? I could see myself getting back into it again if I heard more stuff like this.
 
C

continuum

smugpolice
Benny B said:
Haha very timely. Just been slagging the original of this tune on the other thread, but that remix is ace. Continuum why don't you start posting these bassline tunes in the proper thread again so they're all nicely together? I could see myself getting back into it again if I heard more stuff like this.
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For some reason the bassline that I post doesn't really fit in the Bassline House thread as it's not really 'house' like some other bassline is. My gut instinct is that it should go in the Grime thread but I know everybody disagrees with this. Probably need an Up North Grime thread for it. Still pisses me off that the London grime scene see it as something separate. I know when bassline first got getting heard there though it was some of the things bassline MCs and people were saying like "bassline is next after grime" / "big up grime for holding it down but we're next" type of thing that took people back a bit. Plus there was quite an overt gangster element to it back then and it seemed grime was trying to swing away from that the time so they could get chart success. I know people like Butterz and so on have bassline artists on the rosters but they are making London grime for them rather than bassline but that is still cool.
 
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