King Midas Sound

mms

sometimes
Honestly, I got more of a cinematic theme from "London Zoo" than any of this material. But I digress...,
Going to have to wait 'til the new year to grab this baby though.

i'm talking about the design of the sonics rather than the notion of something cinematic, as i explained above, they have a sense of drama and timing that fits in with the narrative theme of the songs, accentuates them, it's very perceptively produced like that, like he's been listening to the way sound is used in films rather than the way soundtrack themes have been used in films.

It only has one track with hip hoppy drums, it has no dense jazzy samples which are the things that for me are what trip hop is really or was.
its all claustrophobic synths and fx's, techno sounds and a reggaeish lilt and fuck off dubby b lines with love songs, so yeah trip hop is a bit of a shit comparison and not really 'obvious' to my ears, the only similarity is the speed but you can say that about alot of other music, it's obviously informed by dubstep but it's not dubstep.
It's very much a kevin martin record, but its more musical than before perhaps.
 
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gumdrops

Well-known member
i suppose thats one of the good things about KM - his records arent ____ (insert genre) but at the same time, they totally are.
 

michael

Bring out the vacuum
^Yeah, he's v. good at retaining his character while trying on different genre elements.

Am enjoying the album more after repeat listens.

Someone mentioned Tricky specifically, I do think that's quite a good parallel in terms of the vibe and the formal elements - the deliberately weak / pushed tone to some of the vox, the tempos, the kinds of beats. Fair call that it doesn't have many "hip-hoppy beats" or "dense jazz samples", but neither do those Tricky albums. At least, no more or less so than this.
 

sing_minimal

Well-known member
i love the whole album appart from that really annoying earth will tell you and another short one towards the end.. but the rest of it is brilliant. it's a cliche i know, but to me this is the ultimate music to get stoned to and i don't see the tricky connection, but it reminded me of massive attack as soon as i heard it for the first time. brilliant album.
 

Leo

Well-known member
http://www.factmag.com/2011/05/26/five-minutes-with-stuart-baker-the-bug/

interesting bit from the FACT interview with kevin martin and stuart baker, hope they record some of this stuff:

KM: “Ironically King Midas Sound live has gone into full headfuck mode, where Lovers rock has turned into apocalypse… [laughs]. The metamorphosis of KMS has been a joy, it’s a real band which is continually evolving in a really exiting way, and is now light years away from 'Waiting For You'. The emphasis is now on psychedelia, intensity and overwhelming volume, as opposed to insular melancholy...”
 

gumdrops

Well-known member
that review is pedantic but the earnest wordiness of the original review did make me chuckle a little. still, KMS might be my favourite thing KM has done to date. i hope him and roger r do more work together. meltdown is a bonafide brit-soul/reggae classic imo. up there with anything massive attack or soul II soul did early on. better than tricky too ;)
 

Leo

Well-known member
hey, i revived this thread with that excerpt from this week's FACT interview on KMS's new direction. how's about some comments on that!?? :p
 

john eden

male pale and stale
hey, i revived this thread with that excerpt from this week's FACT interview on KMS's new direction. how's about some comments on that!?? :p

Really looking forward to seeing what it becomes - in the studio and live. Other than that, not much to say really - I hope there's still space for a bit of melancholic ambient dub bizness as well.
 

run_time

Well-known member
Anyone look to go to the King Midas Sound gig at the Bishopgate Institute on Friday. I gather KMS pulled out due to wanting to play louder than the venue would allow. Enjoy feeling the sound although after hearing the sound levels when Leyland Kirby, it did leave me thinking how loud KMS were hoping to play (excessively so?).
 

SecondLine

Well-known member

christ. It's one thing to criticise somebody's writing style (I guess some form of respected independent critique would probably tighten up a lot of online music writing), but that's just ugly and personal. Including a picture and commenting on somebody's physique is a pretty hideous way to go about lampooning their review.

I know that's really old, sorry, was just quite shocked by it. If somebody did that to me it'd ruin my week I expect
 

droid

Well-known member
Ah, thanks, he was very easy to talk to, and as John says, he knows how to hit the marks.
 
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