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I was tempted to question, upon hearing Toasty's "Too Hot" for the umpteenth time on Rinse FM (wicked sound btw if you haven't yet heard) Why are there not more established DnB producers sliding styles in the dubstep genre? "Too Hot" reminds me SOOO much of Dillinja (especially Test stuff) and...

it just goes to show... what is worthy of a zero in Vice's mind is, in the case of Prekop, "unabashed musicianship." there is no "style" or "movement" that they can cash in on. remember how vice jocked brooklyn electroclash when that was hot for a sec? there's no money to be made for vice...

perhaps... what will create more buzz for RunTheRoad, that it was reviewed on Pitchfork or released on Vice? are they symbiotic channels? Vice just gave the new Sam Prekop disc a 0. I'm curious to see now how Pitchfork rates it.

I don't see it as wierd (pitchfork pitching grime and neo dnb) for one reason... it has evolved out of the realm of dance music and into the realm of listening music. Rephlex and others understand this. I remember going on dubplate.net about two years ago and thinking, hmmm... where does one...

I used to know Mike when he was an up'n'coming Jungle DJ... he's from Richmond and man he and I would go to Compound Records and he'd drop hundreds of bucks on 12"s... always had a real progressive style. I am sure he's figured a way to mix dnb, grime, 2step, dubstep, and hiphop all into one. Is...

choke gossip in choke voice: "so don't tell sto-rees, that ar-ent truuue..." still applies today i guess! who cares what became of those dudes... you know Dicky Barrett is now a radio DJ in LA!?