"Hey, you wanna go for a ride?" // Dennis Hopper vs. Hollywood

ver$hy ver$h

Well-known member
For years I thought of him as this unhinged character actor, which he was, but it wasn't until recently that I realised he had some sort of vision too, a method to the madness.

Easy Riders, Raging Bulls is packed with appalling anecdotes about him beating women, hammering drugs, discharging firearms, neglecting his kids, and terrorising more or less anyone unfortunate enough to run into him, but it also sketches an outline of someone who seemed genuinely interested in pushing the medium into new territory; Easy Rider itself, I wasn't actually that into, but it's clearly a landmark and watershed moment.

The other night I started watching The Last Movie and that one was strange even by his standards.




"Bergman is the greatest. He got it all together, man . . . We think the Indians are primitive because they believe that hairy men come out of the mountains at night and carry off stragglers, but real people came out of hills around L.A. and murdered Sharon Tate . . . I see areas of light and shade first of all and color as an afterthought. Light is my obsession. I feel it as an elemental source of power, like a kind of cosmic coal. It makes things grow, it makes things die. It can turn into anything - a plant, an idea. Movies are made of light. Just think of the power of light to transform itself into everything we are and can imagine!"

Dennis Hopper, LIFE (19 Jun 1970)
 

ver$hy ver$h

Well-known member
He had a fascinating career. From cowboy extra to early Anger-esque weirdness in Night Tide, the hippy excess of Easy Rider, blowing apart the Hollywood cowboy mythos in The Last Movie, materialising as Brando's jungle court jester in Apocalypse Now, whatever the fuck was going on in Texas Chainsaw 2, rising from the ashes with Blue Velvet, commandeering public transport in Speed, and bowing out with a Romero zombie flick. And that's just scratching the surface.
 

Murphy

cat malogen
Roles become caricatures over time

Hopper in American Friend is similar to Jack N in Passenger - both mid-70’s era with a body of work already fully established, working outside of the US with directors

Paris Trout is pretty 6/10, exception to prove a rule
 

sufi

lala
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Rebel Without a Cause1955
He had a fascinating career. From cowboy extra to early Anger-esque weirdness in Night Tide, the hippy excess of Easy Rider, blowing apart the Hollywood cowboy mythos in The Last Movie, materialising as Brando's jungle court jester in Apocalypse Now, whatever the fuck was going on in Texas Chainsaw 2, rising from the ashes with Blue Velvet, commandeering public transport in Speed, and bowing out with a Romero zombie flick. And that's just scratching the surface.
 

IdleRich

IdleRich
That bit in Easy Riders, Raging Bulls where he's trying to catch up to his wife and she escapes and gets on a plane so he drives his car through the fence at the airport and on to the runway and tries to ram the plane to stop it taking off.
Last Movie is kinda a mess as I remember it, he looks totally out of his mind.
 

pattycakes_

Can turn naughty
These two are worth a watch



Youngish Hopper sleazing, smoking and philosophizing his way around Hollywood and other places. Lot of great talk about film making going on, and while the personality flaws are numerous (shock horror etc etc,) it's a great look into who he was to contextualize who he became and show you how people can evolve. It also shows that vision you mentioned @ver$hy ver$h, in its early stages. 'Takes a long time to figure out who you are' to paraphrase Miles Davis. Great watching the scenes where he and other folks are just hanging out and shooting the shit. No better way to time travel imo. I mean they're talking about weed n stuff. Just regular folks like me n u. Obv they know the camera is rolling but there's a lot of intimate stuff there, and the fact that he's in the mix only makes it more fun. Plenty of those scenes to be found, too. Lot of cringey hippy pontificating and hanging out with a gaggle of playboy bunnies going on, but I guess that shits par for the course.

Then as a chaser, this one, which also clocks in at over 2 hours, is him somewhere around 2000 as elder statesman/painter/occasional acting professor reflecting on it all and seemingly having gone full Hopper, and come out the other side, slicker, wiser, and having shed a good few layers of baggage



Hard not to love him in this imo.
 

kid charlemagne

Well-known member
Yeah, loved it. One of the best looking films I've ever seen. His version of Ripley's totally bizarre too. Nothing like Matt Damon's.
I remeber having only seen Damon, and that film, which i find both incredible, so knowing Hopper was playing ripley, I couldn't imagine what Hopper would do with that character, but there's such a subtle sadism that he acts out in the manipulation of the bruno ganz character..... kind of an understated performance from him, but really one of his best
 

kid charlemagne

Well-known member
didn't know he was in the keanu speed movie...i should give that one a go.... i think my first intro to him was Blue Velvet, and it was the most insane and horrifying performance i had seen, i couldn't get him out of my head, he had so many funny ticks and lines, but would turn into a devil with the flip of a switch, apparently how he just was in real life.
 

kid charlemagne

Well-known member

Rumble Fish, most underrated FFC.... Mickey Rourke's finest work.... Hopper isn't in it much, but all he is just a absent drunk father..... but thats all you really with just like 5 min of screentime from him
 
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