nomos
Administrator
is that run by wiley and jme then? i'd never seen it before.avalanche
is that run by wiley and jme then? i'd never seen it before.avalanche
Dubstep's not dead....not even resting it's just that Grime is soooo good right now (or so some of us think) that we'd love to see it get some more airplay and Dubstep nights are the logical choice.
Badman Thing:
There's DSF talk of this surfacing on Soul Jazz and you'd probably find out more from Cotti.
Also I think Peng Food is out now and the Skengman mode alone is worth £6.99
http://www.ukrecordshop.com/item/frisco-peng-food.html
is that run by wiley and jme then? i'd never seen it before.
yeah but only the instrumental, as far as i know.
Dear Logan
A bunch of us are wondering how come there were no vocal cuts of Stageshow released on crisp Adamantium vinyl?
Can you give us the low down?
Many thanks
John
What I'm finding interesting at the moment is - like nomos says - just the unbelievable plethora of material. I'm finding on the file sharing websites that people aren't solely looking for new stuff, there's this huge accumulatory impulse that spans the boundaries of all time zones within grime - the Maximum and Spyro recent set - which is just superb - is a great example, the past years seem to be blending into the present. It sounds like listening to a spiral, and I can't help thinking that, since grime specifically I'd say was the first genre of music to be hit by filesharing, that timezones in which things are made are going to increasingly disappear. And there's something incredibly exciting about music - itself a time bound medium - transcending time.
I really like little D
really??!
he's EASILY the least talented of the youngers imo. in fact check out any of the youngers i've been banging on about before little d. he's just a bit... rubbish (actually he's got some decent bars but his voice is swag and he can't touch griminal, p-money etc for flows)
im finding this is because grime is asserting itself as more than just a genre, i view it more like a culture or a mentality, like hip hop with all its urban tradition grime has its own codes, an emphasis on camouflage, independent urban values, appropriates and encourages new methods of communication/dissemination, is essentially a social scene, you name it. sure a lot of the things ive just mentioned apply to lots of music scenes, but theres something about grime that seems to bring it all these factors together in a much more tangible sense in the city. Perhaps thats what it is, the phenomenal level to which grime is grounded in the urban fabric of london, i dont know. ive been researching as much for a study on the urban influence of the grime scene... but yeah your post really does make sense right now.
is that run by wiley and jme then? i'd never seen it before.
he's EASILY the least talented of the youngers imo. in fact check out any of the youngers i've been banging on about before little d. he's just a bit... rubbish (actually he's got some decent bars but his voice is swag and he can't touch griminal, p-money etc for flows)
Although I will say that the best track he's touched is Calm Down which is almost entirely made great by P Money, imo. But then again, P Money is on some next shit so I don't think that's saying much.
There is no way in hell I'm ordering from a shop I even THINK is run by Wiley until I know one other person who has successfully got something from there and been satisfied with it.
I'd like an alternative though because UKRS are the shittest music retailers I've ever had the displeasure of dealing with. I try to avoid them at all costs.
There is no way in hell I'm ordering from a shop I even THINK is run by Wiley until I know one other person who has successfully got something from there and been satisfied with it.
Missed it! Waited for vocal versions... never came, instrumental's gone I thinkBasically your only option vinyl-wise is to look to Logan's Adamantium imprint. He's put out loads of big tracks, including Stageshow Riddim (with Rockstar and Reggae on the flip - both excellent Skepta tracks),
Missed it - will lookNasty Jack's My Name Is (the riddim for this would be right up your alley - grime meets bashment business),
Got itStryder's Mainstream Money/Sorry You Are,
Got it. And Missin'.Skepta's Match of the Day riddim
Got itMercston's Good Old Days
Ah i'm glad people agree with me. Someone saying that both minimal and dubstep were dead in another thread was nearly too much for my poor soul to bear.