GRIME- breaking news, gossip, slander, lies etc

bassnation

the abyss
Dubstep's not dead....not even resting it's just that Grime is soooo good right now (or so some of us think) that we'd love to see it get some more airplay and Dubstep nights are the logical choice.


Badman Thing:
There's DSF talk of this surfacing on Soul Jazz and you'd probably find out more from Cotti.

Also I think Peng Food is out now and the Skengman mode alone is worth £6.99
http://www.ukrecordshop.com/item/frisco-peng-food.html

i like that badman thing, more please. seems to be straddling lots of different genres too in terms of influences.
 

blubeat

blubeat
^^ I know! It's Dubstep/Ragga/Grime/Dancehall!

After posting that link for GA I clicked on "buy" and ordered Peng Food, Harddrive Vol 1 and that free Sama Christmas mix.

As it is UKRS I could get the tracks in a couple of days or a couple of months! I am addicted to Sama's show at the moment - got to chase down the track at the beginning of this week show...its huge!
 

john eden

male pale and stale
is that run by wiley and jme then? i'd never seen it before.

Yeah, seems so. I got the chipmunk mix cd off them (or was it the Skepta album?) and service was fine. Been going 3 or 4 months now I think. I wish they had more in stock... or maybe I wish BBK and Wiley had more available....
 

Tootsi

Active member
Yeah tempz is on with spyro and riko is on with chef, im also playing bk2bk with T from macabre unit doing a grime vs dubstep set, rinse fm's rekless is also there for all you bassline lovers, all for 6 pound you can go wrong
 

mistersloane

heavy heavy monster sound
What I'm finding interesting at the moment is - like nomos says - just the unbelievable plethora of material. I'm finding on the file sharing websites that people aren't solely looking for new stuff, there's this huge accumulatory impulse that spans the boundaries of all time zones within grime - the Maximum and Spyro recent set - which is just superb - is a great example, the past years seem to be blending into the present. It sounds like listening to a spiral, and I can't help thinking that, since grime specifically I'd say was the first genre of music to be hit by filesharing, that timezones in which things are made are going to increasingly disappear. And there's something incredibly exciting about music - itself a time bound medium - transcending time.

Grevious I'd try and find anything that Maniac has touched and you might wanna check out Badness. I really like Little Dee and anything the OGs are touching as well. There are some really good tracks on Dee's mixtape.
 
What I'm finding interesting at the moment is - like nomos says - just the unbelievable plethora of material. I'm finding on the file sharing websites that people aren't solely looking for new stuff, there's this huge accumulatory impulse that spans the boundaries of all time zones within grime - the Maximum and Spyro recent set - which is just superb - is a great example, the past years seem to be blending into the present. It sounds like listening to a spiral, and I can't help thinking that, since grime specifically I'd say was the first genre of music to be hit by filesharing, that timezones in which things are made are going to increasingly disappear. And there's something incredibly exciting about music - itself a time bound medium - transcending time.

im finding this is because grime is asserting itself as more than just a genre, i view it more like a culture or a mentality, like hip hop with all its urban tradition grime has its own codes, an emphasis on camouflage, independent urban values, appropriates and encourages new methods of communication/dissemination, is essentially a social scene, you name it. sure a lot of the things ive just mentioned apply to lots of music scenes, but theres something about grime that seems to bring it all these factors together in a much more tangible sense in the city. Perhaps thats what it is, the phenomenal level to which grime is grounded in the urban fabric of london, i dont know. ive been researching as much for a study on the urban influence of the grime scene... but yeah your post really does make sense right now.
 

benjybars

village elder.
I really like little D

really??!


he's EASILY the least talented of the youngers imo. in fact check out any of the youngers i've been banging on about before little d. he's just a bit... rubbish (actually he's got some decent bars but his voice is swag and he can't touch griminal, p-money etc for flows)
 

mistersloane

heavy heavy monster sound
really??!
he's EASILY the least talented of the youngers imo. in fact check out any of the youngers i've been banging on about before little d. he's just a bit... rubbish (actually he's got some decent bars but his voice is swag and he can't touch griminal, p-money etc for flows)

Maybe less talented, but he gets the beats and does them - Star in the making, More Than Music, Calm Down, Live In The Booth - are superb tracks. I'm not saying it's a brilliant mixtape - it's not - but I really like the timbre of his voice, he's got a hypeness that's infectious.

P-Money is a beast :


The Ogs mixtape is gonna kill it
 

mistersloane

heavy heavy monster sound
im finding this is because grime is asserting itself as more than just a genre, i view it more like a culture or a mentality, like hip hop with all its urban tradition grime has its own codes, an emphasis on camouflage, independent urban values, appropriates and encourages new methods of communication/dissemination, is essentially a social scene, you name it. sure a lot of the things ive just mentioned apply to lots of music scenes, but theres something about grime that seems to bring it all these factors together in a much more tangible sense in the city. Perhaps thats what it is, the phenomenal level to which grime is grounded in the urban fabric of london, i dont know. ive been researching as much for a study on the urban influence of the grime scene... but yeah your post really does make sense right now.

Yeah, by being 'culturally' unsuccessful - in the way that I think people were excepting grime to 'blow' or whatever, its paradoxically become much more of a scene, a culture, than it would have done had IT BEEN POSSIBLE for artists to become successful in the mainstream. I do think it's very London though, I like it for that.

I think the filesharing thing is interesting for me, cos I've had to find and go on the sites just to try and keep up with what's going on and who's doing what, to understand. I really don't know how you would do it otherwise.

It'd be good to see what your findings are when yer done with yr study, if you're up for people reading it.
 
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Sick Boy

All about pride and egos
is that run by wiley and jme then? i'd never seen it before.

There is no way in hell I'm ordering from a shop I even THINK is run by Wiley until I know one other person who has successfully got something from there and been satisfied with it.

I'd like an alternative though because UKRS are the shittest music retailers I've ever had the displeasure of dealing with. I try to avoid them at all costs.
 

Sick Boy

All about pride and egos
he's EASILY the least talented of the youngers imo. in fact check out any of the youngers i've been banging on about before little d. he's just a bit... rubbish (actually he's got some decent bars but his voice is swag and he can't touch griminal, p-money etc for flows)

I disagree, although I see where you're coming from.

His flow isn't very complicated and he has this obnoxious tone of voice, but like Sloane says - the kid can make a good track. When I first heard him freestyling admittedly I thought he was shite and I continued to think that until I heard his mixtape. Turns out he can actually crank out consistently good tunes... which is more than a lot of grime MCs can say.

Although I will say that the best track he's touched is Calm Down which is almost entirely made great by P Money, imo. But then again, P Money is on some next shit so I don't think that's saying much.
 

mistersloane

heavy heavy monster sound
Although I will say that the best track he's touched is Calm Down which is almost entirely made great by P Money, imo. But then again, P Money is on some next shit so I don't think that's saying much.

Wiley's version of that Calm Down/10 an hour is great as well. I musta had that beat on a loop for about a week. I'd happily listen to a whole version album of that tune.
 

john eden

male pale and stale
There is no way in hell I'm ordering from a shop I even THINK is run by Wiley until I know one other person who has successfully got something from there and been satisfied with it.

I'd like an alternative though because UKRS are the shittest music retailers I've ever had the displeasure of dealing with. I try to avoid them at all costs.

Well I'm now on order two - will let you know how it goes. I doubt very much that Wiley is there himself with a big box of jiffy bags...:)
 

Krooz

Member
There is no way in hell I'm ordering from a shop I even THINK is run by Wiley until I know one other person who has successfully got something from there and been satisfied with it.

I made an order there the other week and had the cd in a couple of days. Not ordered anymore as yet tho - so that could of been a one off! ;)
 

Grievous Angel

Beast of Burden
Thanks for the tips everyone...

Basically your only option vinyl-wise is to look to Logan's Adamantium imprint. He's put out loads of big tracks, including Stageshow Riddim (with Rockstar and Reggae on the flip - both excellent Skepta tracks),
Missed it! Waited for vocal versions... never came, instrumental's gone I think :(

Nasty Jack's My Name Is (the riddim for this would be right up your alley - grime meets bashment business),
Missed it - will look
Stryder's Mainstream Money/Sorry You Are,
Got it
Skepta's Match of the Day riddim
Got it. And Missin'.
Mercston's Good Old Days
Got it
[/QUOTE]Maniac Devil EP out now on promo.
Didn't like it!

It says something that a grime non-expert like me already has most of the tracks recommended...

Thanks again!
 

straight

wings cru
Ah i'm glad people agree with me. Someone saying that both minimal and dubstep were dead in another thread was nearly too much for my poor soul to bear.

minimal aint dead its just (old style) funky house 5 years ago. highlights massive! BBs kate lawler plays it and theres a load of celeb blonde bikini DJs playing it now so as a result of going out to new minimal nights you end up in conversations with folk that that think raster noton is a brand of aftershave
 
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