i've always avoided Stockhausen lol. the man always cheesed me off, and not for his 9-11 remark, just his weird superiority complex.
i thought the slowed version was literally the b-side, of the original 12"? like they knew this shit is always better WAY SLOWERyeah i know that cyber people. i have to download it and pitch it down. i will try it later.
he's so misunderstood!! okay really, i immediately defend the likeliness of any artist i love. the 9/11 remark was an allegory but i feel like i'm putting myself up for grabs by saying he was right. better than damien hirst just plainly saying it was a mad real work of art. and he got away with it. the wanker. were people really that scared by stockhausen saying he came from sirius? academic safe space violated and also created simultaneously
it just cheeses me off. posh bloke shit.
cornelius cardew's browbeating maoist folk is SHIT. u can absolutely be communist and make this off the deep end kind of music. it's necessary to do it *right*, even.
amazing record. like xenakis charcole gone club ready. some really strange sounds. you can dance to it but it's also a huge head trip on its own. + she's really nice to talk to.
Back in the “old days,” the electronic technology used in music was quite primitive, yet the range of music that was attempted was staggering, and a freewheeling spirit of adventure was prevalent.
Today, we have computers with technical capabilities inconceivable at the time of Varèse and the early works of Cage and Stockhausen. Yet as the technical capabilities have expanded, the range of musical possibilities which are being explored has become increasingly restricted.
amazing record. like xenakis charcole gone club ready. some really strange sounds. you can dance to it but it's also a huge head trip on its own. + she's really nice to talk to.
This is the best one I have found
Goblin laughter