constant escape
winter withered, warm
So the elements of that world that are being zeroed-in on, the elements that foreground the subtext, are the elements that would otherwise be left for the viewer to speculate about, or infer?
"all the subtext on the surface" is a cool way to think about this - would either of you say it can apply to Lynch's other films as well?
"all the subtext on the surface" is a cool way to think about this - would either of you say it can apply to Lynch's other films as well?