come discuss something on /mu/ with me real quick

linebaugh

Well-known member
the only safe genres for discussion are dance music and modern rap. other genres get their occasional moment but no tenure
 

mvuent

Void Dweller
i like how dissensus has a strong value set regarding music (simply put: reverse snobbery, stuff made by real people not rich hipsters) but i do think a lot of internet music actually fits with that
 

other_life

bioconfused
the issue i think is people who witnessed the gladhanding + artificial bubbles of late-period indie, of which chillwave-as-proposition and ALTERED ZONES-as-pitchfork venture were definitely a part, have a bad taste in their mouth from it that they associate vaporwave with, even if vaporwave is people like dissensus posters taking aspects of chillwave that were smoothed-away in its presentation to a wider public and running with them in the opposite direction
 
That particular choice of sample is great ...corny teen one hit wonder everyone secretly likes warped into some fuzzy panoramic enya
 
“You can hear it in Drake’s signature move—the transition from rap to singing, the slipping down from ego-assertion into a sensual purring, the relaxing into a lasciviousness that has nothing to do with the localized libido and dumb automatisms of phallic sexuality. Down here, there is a glorious release from the pressures of identity. Rave-like, pitched-up vocals are suspended on placid currents of synth. Voices stop being human, become avatars from a space where subjectivity has been left behind like a bad dream. On the opener, “Tuscan Leather”, Whitney Houston’s ghost is summoned from the hotel bathroom, mutated into some butterfly-fragile chirruping creature singing inside a specimen jar. I’m frequently reminded of nothing so much as the refracted architectures and water sprites of Balam Acab’s Wander/Wonder. When you dive into these electro-oceanic depths, Nothing Was the Same ceases to be a fascinating symptom of all the blockages of the present, and becomes a longing for something new, something strange and lovely. ~”
 
what makes it sound submerged is the murky muffled quality sound moving through a thicker heavier more resistant medium than air. Again the characteristic sense of someone communicating with you from a very long way away, not in terms of physical distance but from an emotional and psychic dimension which touches our own only tangentially. The same sense of having drifted off into unmoored space you hear in chief keef, self contained solicipsm space pods, watching the stars dissolve from inside the cocoon-ship. Floating away.

It's not somewhere I want to go. It doesn't seduce me. It's not a siren song for me. I don't want to drift away and lose contact with the Earth.
 

thirdform

pass the sick bucket
For me it's more that i don't understand that continuum, in a literal sense. the roadmap hasn't been revealed to me, and a lot of that has to do with lack of trying granted, but i can't shake the feeling ive heard all this stuff in electroacoustic before hand. Given i got into electroacoustic through hardcore (everything from the harder darker stuff to sample crazy chipmunkadelic bizniz) and free jazz, knowledge itself probably becomes a double edged sword for me. For instance if i got into electroacoustic through James ferraroah or Clams Casino i would be able to interface with this stuff more. As much as it is 'internet culture' i can't really think of many vapourwave heads in the UK, compared to US where it genuinely seems to be a subculture of sorts.
 
Yes it is def more an american thing I think. Most of the time its mentioned here its in a mocking way.

although plastician did that whole Wave Music thing a couple of years back where elements of this sound intersected with trap and grime. it didnt grab me
 

mvuent

Void Dweller
For me it's more that i don't understand that continuum, in a literal sense. the roadmap hasn't been revealed to me, and a lot of that has to do with lack of trying granted, but i can't shake the feeling ive heard all this stuff in electroacoustic before hand. Given i got into electroacoustic through hardcore (everything from the harder darker stuff to sample crazy chipmunkadelic bizniz) and free jazz, knowledge itself probably becomes a double edged sword for me. For instance if i got into electroacoustic through James ferraroah or Clams Casino i would be able to interface with this stuff more. As much as it is 'internet culture' i can't really think of many vapourwave heads in the UK, compared to US where it genuinely seems to be a subculture of sorts.
i think it's a mistake to compare this music to electroacoustic, besides a few releases. and i would know, i've been doing exactly that for two years...
vaporwave in its prime had this quality in a way that was decidedly not forceful or militant or even avant-garde. it was an outgrowth of chillwave and it is undoubtedly pop music and -about engaging with- pop music
...if anything, maybe it's a testament to the music's imaginative sprawl/lack of boundaries that it even spilled into the edges of that esoteric territory without trying.
 
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what do you make of this idea of yearning to go beyond identity thing mvuent and @other_life

naked in your Travelodge room, a huge weight lifted from your shoulders, no identity, no history, no self.
Do you physically feel this? In the chest, in the groin? The pangs and twinges and yearnings to be nobody and nowhere
Part of the allure in the empty or digitally rendered place is the simplicity, the reduction, the lack of complexity that comes with being entangled with other people, power dynamics etc
as children, projecting ourselves into these spaces which are real, but can never be accessed. railway sidings too.
 

Woebot

Well-known member
most of the main users here like luka are well into their 60s though. too old to get it... or maybe not?
you people can admit this kind of hyperbole for dubstep or its antecedents because it was formative for you (which i can respect) but not for chillwave and vaporwave. why?
every generation has this kind of micro-question with regards to music. @other_life i'm really glad that you feel so strongly about these things - that it is possible to be so impassioned about them.

my 5 cents is that impermanence of the shifting sands of the digital mediascape (i mean - where could one actually buy physical copies of these tracks) creates an intense anxiety when it comes to fixing their generational importance.

for instance you can visit john lennon's childhood home in liverpool but this stuff? luckily some of the early dubstep came on physical formats i suppose - but vaporwave?

if i was a member of your generation (and i also think of @sadmanbarty and all his drill videos which get removed from YouTube) i would be ripping/downloading/documenting and archiving this stuff. making a huge organised data silo of it.
 

mvuent

Void Dweller

sad how much early internet culture has already been lost because people didn't do that
 

luka

Well-known member
dunno why other_life thinks we allow people to listen to dubstep. ive talked loads about what i admire about vapourwave but the problem for me is that the music itself gets on my nerves mainly becasue of the annoying channel surfing thing it does can you stop changing the channel please i was just getting into that
 
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