ShitBrit

catalog

Well-known member
I must admit a soft spot for Kula Shaker, just the audacity of taking a Hindu bhajan and turning it into a pop song that girls from school would sing
 

blissblogger

Well-known member
Kula Shaker can play though, right? (Only the vaguest of memories). Similar with Ocean Colour Scene.

There is an extra degree of shititude when it's not just aesthetically misconceived but the whole (mis)conception rests on a base of utter fraudulence.
 

martin

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"Stress" was a great tune and they were enjoyable live iirc.

They were doing an important job in a significant "culture war" imo.
Saw them twice, once at a gig put on by St Albans AFA and in the New X Venue a few years later. Both gigs were way more straightforward 'punk' than the Word performance (which looks kinda goofy) - pre-gig rumours that BNP skins were planning an attack on the gig added to the adrenalin buzz. I still dig "On Yer Toez"

Didn't they beat up Simon Price too after he wrote something about opposing fascists being fascist, and some bitchy comment about "RAR belongs in 1978" (months after Derek Beacon got elected)? Cool :cool:
 

john eden

male pale and stale
Blaggers ITA and Chumbawamba sounded much better than the moribund punk scene they were escaping. I get that most people don’t like them though. Both were great live.

Same as Radical Dance Faction.
 

john eden

male pale and stale
A lot of these are people who were in bands anyway that reinvented themselves to tail end a new craze? The logic of the market.
 

john eden

male pale and stale
I remember Genesis P-Orridge being miffed about being below Neds Atomic Dustbin on the bill at the Reading Festival.

Actually, looking at the old line ups for Reading would be fruitful for thread. Zodiac Mindwarp, Dumpy’s Rusty Nuts, The Mission.
 

martin

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I remember Genesis P-Orridge being miffed about being below Neds Atomic Dustbin on the bill at the Reading Festival.
Don't blame him, they were abysmal. I'd be miffed not even playing at or going to it. Speaking of 'industrial', I've just remembered one of the worst UK bands I ever saw live: Sheep On Drugs

Zodiac Mindwarp

Nah, "High Priest of Love", "Dangerous" and "Wild Child" were great!
 
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IdleRich

IdleRich
I got several of their singles... all terrible. For someone who talks such a good game they are truly embarrassing.
 

martin

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I still own a few ZM singles and the first ep.

Well, you're a man of taste, Leo. I wouldn't expect anything less. Does your rare US punk 7" stash include the first Nuns EP, by the way? I'm baffled that one's still floating around on Discogs for around $50 a pop, given the A-side's absolutely fucking flawless - certainly better than a lot of mediocre '70s platters that sell for $500-$1000+
 

qwerty south

no use for a witticism

The Fratellis - Chelsea Dagger (won't link because it's fuck!ing shit)​


"Landfill indie" is mostly shitbrit imo.

Neds have passed the test of time - I'm waiting for their Slowdive-type re-appraisal

 

shakahislop

Well-known member

The Fratellis - Chelsea Dagger (won't link because it's fuck!ing shit)​


"Landfill indie" is mostly shitbrit imo.

Neds have passed the test of time - I'm waiting for their Slowdive-type re-appraisal

landfill indie is interesting for me, not because there's really anything about the sound that i like, but in keeping with the premise of the thread, there is something interesting about the fact that this resonated with so many people - lets face it principally white working class people in england, or at least that's what it always looked like to me, i mean these categories are gross and loaded but it seems relevant in this case coz its not like its the bangladeshi dispora or the private school kids who are into this, and its not like many girls are into it either for that matter - and that aesthetic judgements aside, that the music itself is so bleak, all about dealing with shit and trying to be hopeful. very boozy music too. goes well with lager. a lot of kitchen sink lyrics as well. totally anti-abstraction. capturing everyday things and emotions. its a boring conservative musical form but still something to think about.



check the bleak colouring and union jack in the video

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shakahislop

Well-known member
There is something about the British tolerance for deficiency that is unique - Joe Carducci, who I mentioned on the Heavy thread, talks about a kind of listening where you sense the group's intention and supply it aurally even when it's not achieved or barely even gestured at. He was talking specifically about how after punk and its ethos of deskilling, you had a lot of rhythmically substandard outfits who got very successful - how British rock in the '60s and '70s had been all about great drummers and rhythms sections (had been the country that had more or less invented Heavy in fact) but after punk you could prosper as a band with barely adequate drumming, feeble rhythms etc. That only got worse with indie and Britpop.

There's a kind of solidarity-based listening where you like the attitude or line of patter that the group puts out - support their values or reckon they are good people - and as a result are prepared to turn a blind ear to the manifest failings in sonic execution. You imaginatively project the kind of musical substance that they ought to have and would supply if capable of it, or prepared to go to the bother of learning how to deliver it.

in singing terms morissey has a lot to answer for i think. in terms of people who can't sing that well technically speaking being accepted. i find it a big difference between UK and US. in the US you've got to at least be a decent singer. and generally you've got to be a good 'performer', you can't just stand there on the stage. not necessarily a bad thing the UK approach, i suppose i quite like it. garage girls etc. although you could argue morissey was just picking up on terrain made possible by the punk ethos, and partly the everyman thing that runs through uk music, he's a big part of it i think
 

Leo

Well-known member
Well, you're a man of taste, Leo. I wouldn't expect anything less. Does your rare US punk 7" stash include the first Nuns EP, by the way? I'm baffled that one's still floating around on Discogs for around $50 a pop, given the A-side's absolutely fucking flawless - certainly better than a lot of mediocre '70s platters that sell for $500-$1000+

sadly, I do not own the nuns ep. but on the topic of San Francisco punk gems, do have the avengers "we are the one" and both classic crime singles ("Hot wire my heart" and "frustration/murder by guitar").
 
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