Not sure the above tracklisting is 100% accurate but is the following tune LNAmusic - Atomsphere (Orignal Mix)?
Shuffling / House Music / Cutting Shapes
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- a 1000 tunes and not 1 anthem are you really from the ends? attractions including a magician bore to the floor bumming radford on twitter buy my japanese internet house 12 darkside donk deadout didn't they do this in 1986? dominic did a tefl course dominic does streetslang esperanto juggalo even trilliam got bored of this fun with balloons i write for the guardian id rather play fifa im dom indie nuum just house innit know the bubble middle class 30 somethings talk house nuff nuum for continuum radford is older than my dad show me the dance top knot trilliam was right trilliam was wrong upgrunt house who the fuck is mark radford words hurt
Not sure the above tracklisting is 100% accurate but is the following tune LNAmusic - Atomsphere (Orignal Mix)?
wise
bare BARE BONES
owengriffiths
Owen
Well funnily enough I do hear some echoes of Sheffield Bleeps, the Martin Ikin tune being the most obvious example. But I'm ambivalent over how important that kind of stuff was to the (lets be more accurate) London Pirate Continuum (excepting the Reggae shows which probably were more numerous) when compared to Jungle, Garage, Rinse, etc. Seems a grey area.
Funnily enough Oris Jay was quoted ten years ago that he'd like to do a proper Warp Records type tune, though I think the most he came up with was a belated Breakstep remix of LFO or Nightmares on Wax's 'Aftermath'- this being in the era when dubstep was close to being on it's last legs so it'll probably remain a lost dub forever. But when you think about his new RS4 alias and his Sheffield roots it starts to make more sense. Loving the messing about with the Little Man vocals where it changes from female vox to a male one.
Eye opening tunes for me at the moment are Bringing 88 back which could well find it's way into Pete Tong's tune of the week if that was the level of exposure they craved. Secondly Arun Verone's mix of Lance's Backbone is intense
Benny Bunter
Well-known member
yeah its on the forthcoming ´braindeep ep´on his own label accvording to this interview (he plays it near the end). Regarding owen´s comments sbout the nuum above, Scottie D´s another one from this scene who started out making grime before going off into house. He´s also made tunes with nicky slimting, another old jungle/grime vet you may be familiar with.
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Thanks Benny.
wise
bare BARE BONES
I've got a mate who is an agent for one of the bigger london dj agencies
And very topically...
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"Fuck drum and bass there's too much flute and bagpipes in it , and it's too slow and the vocals used are always on about being a chef , so therefore all drum n bass is shit"
"Oh shit that's complete bollocks innit ?! Sorry everyone ... I was under the impression that hating a whole genre based on absolute bollocks is the way we did stuff ..... For example - I hate house cos it's depressing , or I hate happy hardcore it's too slow&morbid .... Cos it's now massive and everyone's heard a bit of tech/deep house now , everyone seems to think all house is this trendy radio 1 drivetime bizniss or the repetitive deep stuff with 20min build ups into nothingness , When in actual facts it's the building blocks of most electronic music and provides sum next level pleasant vibes , ppl who r closed minded to this r missin out the vibes , but people on a proper anti-house thing need to shut up even if they Dnt like it cos house music was one of first things to come thru from disco in the very start of "dance music" and if u don't respect/ or even realise that then get to know , house is like our ancestors and u wudnt diss ur grandmother even if she does do things a bit different to u ."
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Off me nut going in on facebook!
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"Fuck drum and bass there's too much flute and bagpipes in it , and it's too slow and the vocals used are always on about being a chef , so therefore all drum n bass is shit"
"Oh shit that's complete bollocks innit ?! Sorry everyone ... I was under the impression that hating a whole genre based on absolute bollocks is the way we did stuff ..... For example - I hate house cos it's depressing , or I hate happy hardcore it's too slow&morbid .... Cos it's now massive and everyone's heard a bit of tech/deep house now , everyone seems to think all house is this trendy radio 1 drivetime bizniss or the repetitive deep stuff with 20min build ups into nothingness , When in actual facts it's the building blocks of most electronic music and provides sum next level pleasant vibes , ppl who r closed minded to this r missin out the vibes , but people on a proper anti-house thing need to shut up even if they Dnt like it cos house music was one of first things to come thru from disco in the very start of "dance music" and if u don't respect/ or even realise that then get to know , house is like our ancestors and u wudnt diss ur grandmother even if she does do things a bit different to u ."
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Off me nut going in on facebook!
wise
bare BARE BONES
this belongs in the House & Bass thread I think
cnt b serious
wise
bare BARE BONES
wise
bare BARE BONES
this set might help you to see
https://soundcloud.com/aaronvybe/aaron-vybe-and-perch-mc
proper pirate radio styles
https://soundcloud.com/house-ent/b3-jedi1
Sick mix. Been listening to it last night and today. Was uploaded in the past few days but is from 2011. You can hear B3 laying the foundations for the current Deep Tech sound. Badly need an ID for the track playing at 24:40!
Sick mix. Been listening to it last night and today. Was uploaded in the past few days but is from 2011. You can hear B3 laying the foundations for the current Deep Tech sound. Badly need an ID for the track playing at 24:40!
Just started listening to this, it's sick. It's the equivalent of the Petchy shows during Funky (with out so much MCing). On the D/L and looking forward to going to the gym later >