Also gotta figure that for a lot of these fresh faces to grime, they're approaching it as remixing the canon would happen in dance music. Obvious Jungle/Techno classics get remixed by guys who want to impress their peers all the time, no?
I laugh @ Logan's situation because I think he's outraged and surely he's had to have dealt with it from people who are more close-minded and just vitriolic than this writer no? And to be fair, there is a tiresome aspect when there's unsympathetic kids from a safer aspect of life playing 'explorer'. Logan's not one of THOSE GUYS, but his deflection paints him in that corner of perception.
I do have memories of a popular grime blog/production figure once being 'disgusted' with that footage of Titch getting himself thrown off the plane for being unruly. There's an obvious clash in a sense with how wide-reaching an appeal grime has, and more often than not you have to confront people who live and conduct themselves differently...
Certain people have a sort of desire to remove the people who judge from ivory towers, or question the power granted onto whiter or higher in class figures naturally because society is fucked. I think the dialog is generated in a bit of adolescent outrage and can be hyperbolic, but its always been there.
Put it this way, one blogger who posted on Dissensus once suggested elsewhere that it was 'confidence' that made JME or Jamal Edwards a success. That's true, but its also a wide-range of issues for some artists/producers/DJs that can help them or impede them. Its home-life, its sociability, its talent, its how the person reflects on that talent. No different with any genre.