or shifted it to the screen. literally as in the case of pornography, or qualitatively.stripped the exterior phenomenal world of its libidinal attraction
it is the only possible comparison. film/television is closest but even that's not really close.I do think of the Internet etc as a cultural shift as massive as the invention of writing maybe
extrapolating beyond music to all creative, libidinal impulses. the ability to dream beyond the confines of a screen. there are less things in earth and heaven Siri, than are transmitted in your networks, and so on.whatever threshold of hyper-reality extinguishes that liminal space, we've crossed it, and absent some heretofore unknown new way of interpreting reality - be that artistic, technological, whatever - I don't see how it's a threshold that can be recrossed. even technological domination (control/alteration) of reality - AR, VR - is a magnification of the real. there is nothing left to imagine.
to paraphrase, welcome to the desert of the hyperreal (and/or the hyperlink).
the prosaic manifestation of that is constant, obsessive self-awareness, and further the constant self-awareness of that self-awareness, or in the words the history of the internet. to know, or be able to know, everything, is to eradicate the unknowable, which the psychedelic requires.
I've listened to much, much woolly psychedelic business of all kinds + good or bad it's inevitably shot through with some kind of wonderment that cannot be artificially recreated. again why I'd distinguish between drug music - which will exist as long as people do drugs, i.e. always - and the psychedelic. think again on the original human psychedelic experience - sacral, the conduit between the mundane + the otherworldly, that is to say the unknowable.
which noise punks?the noise punks had the right idea it's just that they kinda went into the ocean.
they're both ca. early 1980s Japanese teenagers. twin pillars of the legendary Kyushu noisecore scene. they might even have shared members. definitely knew each other.I like Kuro. Confused give me this really masculine white man vibe which i find a little bit scary tbh.
they're both ca. early 1980s Japanese teenagers. twin pillars of the legendary Kyushu noisecore scene. they might even have shared members. definitely knew each other.
more than one, I'm pretty sure. think it's well-documented at this point.wasn't there some kind of study or research to do with how young men - after being exposed to so much online porn depicting impossibly athletic and theatricalized sex - found the real thing to be insufficiently arousing?
no idea. not a Japanoise expert (or any noise expert) and my hxc tapped-in-ness stops ca. late 00s.yeah i know. what's up with extreme music in Japan these days? the last thing i got was a government Alpha noise anthology from 09.
discounting the reasonable possibility that it's a joke, plz delineate how any of that is in any way is fetishismThere's a subtle gag in the fact that there's 80s japanese hxc fetishism posts