dilbert1

Well-known member
Alright, Body Snatchers was awesome, just brutal. Loved it even as it exhausted me. But jesus @sus The Abyss my girl and I agreed was just about the most low IQ expensive hunk of shit we’ve ever seen. Dripping with the most pathetic nihilistic misanthropic ideology, dressed up in the phoniest humanism. An impressively gargantuan feat of small-mindedness. And yes we watched the three-hour special edition version. Totally laughable film if it weren’t for its pernicious stupidity. Call me what you will, this and the Avatar films aren’t paragons of aesthetic imagination, they’re well-oiled propaganda machines for the liberal status quo. What a thoroughly foolish mind Cameron is, at least Terminator transcended this sort of escapist self-flagellating nonsense. The worst kind of boneheaded sci-fi. That film made me very upset as you can see
 

sus

Moderator
Dilbert and his girl sat down to have a very special evening together, he says, I've gotten a recommendation from trusted friends, this one's gonna be brilliant. Don't worry it's three hours all the deleted scenes left in but it's gonna be great. You're gonna love it. And they sit down and it's a steaming pile, there's a slow dawning horror at what theyve embarked on
 

ver$hy ver$h

Well-known member
Covenant is good!

I've a soft spot for it. The problem with the two later Scott ones for me's the script. They both look and sound great and tackle interesting ideas, but the human characters are poorly written. They either make ridiculous decisions for the sake of progressing the plot or they're completely generic, often both.

Also, the alien really didn't need explaining in the first place. The mystery of the original's its strongest quality. The absolute peak of the entire series is the stretch from when they receive the distress signal to Hurt discovering the eggs. You can't beat that. No backstory you can come up with will have the same power as simply not knowing.
 
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dilbert1

Well-known member
I’ll write more later but it never broke our will, compelling enough in its idiocy to force us on to see what kind of bow it would ultimately be wrapped in. Entirely predictable with its feel-good ending but devil’s in the details of course
 
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dilbert1

Well-known member
Trying to use Danny McBride as comic relief felt half-hearted and unnecessary from what I remember too. But as long as they keep the Weyland or Creator lore central I’ll keep coming back for more in the future
 
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