voices tumbling, gasping for breath over a beat that’s all smoothly constructed right angles.
the intro synth sounds very desolate and late night. how you’d imagine dungeon synth to sound from the name.
there’s also a point in the beat where the kick switches to one that’s heavier and has more punch. a feeling of motion solidifying, becoming more real. it’s very related to the discussion in the cartoon physics thread (and in kodwo eshun) about how there’s a huge amount of affective territory in how beat programming works that’s not covered simply by classical rhythm notation, but rather by looking at the sounds themselves. (though some djs like dj ratty seem to intuitively understand how effective these switch ups can be.)