“Strange how potent cheap music is.” ― Noel Coward
100%
this is the hardest of schmaltzcore. play it in a hard techno set at the right time and its bound to cause carnage on the dancefloor.
“Strange how potent cheap music is.” ― Noel Coward
People listening to their parents' Steely Dan records ironically then realising they're actually really good.
IC: We never listened to it. I don't remember listening to Sade a lot.
DB: My mum played her a lot when I was a kid.
IC: Yeah, when I was a kid, my dad and mum... I remember that very well.
DB: I think I have a relation to it, I remember it a lot from when I was a kid. I really heard that shit a lot, her and Steely Dan, tons. Maybe I was like, missing my mum or something, I dunno. That's probably what it was. And it was like, I need to see Sade, because it was the dance in the video as well, I really liked her dancing. That was it, and it just comes from there. There's no real thought, as with most things. There's no prior thought about it, it's just like, 'we're going to do a cover of this track and it's somehow it's going to work, it's going to be alright' because it's our honest kind of interpretation of it at that time.
leave his mum out of it, listen to this one and tell me you don't like it:
:crylarf:
Neither. I quite like Dean Blunt, but that comparison seems like the perfect kind of thing to properly wind up a serious Dean Blunt fan and cracks me up.
Neither. I quite like Dean Blunt, but that comparison seems like the perfect kind of thing to properly wind up a serious Dean Blunt fan and cracks me up.
Are you genuinely not a fan or are you resisting liking it because it's lame?
This is even harder, although it does rely on "credible" gospel grit, unlike the Deni Lynn.