shakahislop
Well-known member
come on tell me who are the best ones, the ones pushing things forward, the ones that mean the most to you, the ones that we should all check out. music art film books, everything
I think there's a good chance they can develop to become better than those guys. Good Time and Uncut Gems have a somewhat unique vibe, in my mind at least. Skeezy, desperate, anxiety-riddenThere are contemporary people I like, but none of them seem as good as their influences or mean that much to me, e.g. I thought Good Time by the Safdies was great but I don't think they're on the level of people like Friedkin, Carpenter and Cassavetes they're drawing inspiration from.
better than those guys.
I just watched Blue Collar! It was great.It's tempting to say contemporary artists haven't been given time to reach greatness, but history's littered with stunning debuts and people who had it from the off and that seems to have vanished nowadays. I can't think of anyone who's appeared like a bolt of lightning, there just seem to be people producing decent work for their time, e.g. Safdies.
Another temptation's to say "Well, you're just getting older and more cynical," but that doesn't account for the discovery of older stuff that's new to you and still able to bowl you over. I didn't get round to reading Beckett until relatively recently and Molloy was immediately one of the best things I'd ever read, likewise watching Schrader's debut, Blue Collar.
. . . all unconsumated historical possibilities don't disappear when it's time is over, it goes somewhere and lies in wait and the energy present in these possibilities lies latent in the world itself, like blood running under our skin, just waiting for the particular moment to constellate with other moments and other people and become potent and alive again . . .
There's no reason someone couldn't just lock themselves away, surround themselves with unfulfilled possibilities and work from there. Shut out whichever developments you think were a mistake and a plot a new trajectory.
They might run into trouble if they ever got round to publishing or releasing whatever they were working on, but I assume someone willing to go that far would ultimately be working for themselves anyway.
How do you mean? What kind of trouble?
Dismissed as nostalgia, pastiche or simply an exercise.