Angry Aesthetes

IdleRich

IdleRich
This thread is inspired by a number of famous stories about audiences being angered and shocked by modernism... off the top of my head

1. Audiences being so enraged by the confrontational something or other of Stravinsky's Rite of Spring and the Firebird Ball that they apparently rioted, ripped up seats and literally attempted to grab every bit of modernism they could find and stuff it forcibly back into its box.

2. I heard that during filming of Taxi Driver (I think it was that, the anecdote came back to me cos Liza re-watched it the other day) there was a bit where the director wanted DeNiro to walk around the car in the garage, while the camera stopped looking at him, then left him altogether and went the other way around the car before finally meeting up with him on the other side. But apparently, at first anyway, whatever Scorsese said, the crew flat out refused to do it. As far as they were concerned there were rules to filming and doing that would break them so they wouldn't maybe couldn't do it.

3. Somewhat similar, I think it was the British sculptor Anthony Carro who displayed his works directly on the floor rather than on plinths - with the result that this flagrant breaking of the rules drove audiences into paroxysms of rage.

4. Oh and one more that comes to mind. There was an artist (I forget who sadly) who announced to his colleagues at The Royal Academy that he planned to paint some classical battle scene, but in a moment of radical insanity that caused almost literal meltdown amongst the other members he proposed to paint the soldiers in armour and clothing appropriate to their period rather than strangely naked as was required by the rules.


Ok so all the above are examples of passionate and seemingly misguided conservatism, and they all seem pretty laughable now. But what intrigues me is that at least some of them seem like people being actually enraged by aesthetic concerns.

And I wonder if that still happens. People get annoyed cos the Mail tells them that a book is about paedos or that grant money is being given to artists who can't even paint. But does anyone ever get shocked by the aesthetics of an art work any more (as opposed to its content)? Were people more educated or more invested or was it just that there were more rules left to break?

Did art affect people more in the past? Or am I just trying to fit rose-tinted spectacles on angry philistines?

I'm not really sure what I'm saying... it's just that while a load of people getting genuinely angry about statues being on the floor is clearly a bad thing, I feel that something has been lost as well as gained in a world where that no longer happens at all.

Discuss this please, or tell me some more funny art stuff that made people lose their shit
 
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martin

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The Dada Manifestation at the Salle Berlioz in 1920 sounds like it was fun - deliberate venue overcrowding and audience-baiting with a very loud klaxon, pissing off the audience so much that they drowned out the performance of the play First Celestial Adventure of Mr Disprin with boos (and apparently caused Francis Picabia to bottle it and exit the venue, fearing a kicking from the mob). As a bonus, the Dadaists hired Hania Routchine, a proper torch singer, to end the evening with a straightforward song, 'as a contrast', but the audience turned on her too. Unused to such treatment, Routchine pleaded for them "to allow her the honour of hearing her song". A renewed uproar greeted this request and the singer burst into tears and fled the stage. She was inconsolable for two hours afterwards (Dada Almanac).

Reading the full programme for the evening, it wouldn't raise an eyebrow at Cafe Oto these days.
 

IdleRich

IdleRich
Oh there was the Jarry one where he said "merde" but I guess that's different, there they were offended by his crude word not the form that the art took.

I suppose I really want to know, who were the people who cared so much that a statue had a proper base that they rioted? Where are those people now?
 

martin

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People get annoyed cos the Mail tells them that a book is about paedos or that grant money is being given to artists who can't even paint.
Maybe it says something about cuts to arts funding in the UK, or I'm just out of the loop, but I actually can't remember the last time there was a proper "call this art?? waste of taxpayers' money/ban this filth" furore in the news. Maybe the last one was the portrait of Myra Hindley made from kids' handprints?
 

IdleRich

IdleRich
Maybe it says something about cuts to arts funding in the UK, or I'm just out of the loop, but I actually can't remember the last time there was a proper "call this art?? waste of taxpayers' money/ban this filth" furore in the news. Maybe the last one was the portrait of Myra Hindley made from kids' handprints?
Which was more recent that or that pile of bricks? But one caused outrage cos it was a child killer done with children's hands, and one was cos my twelve year old nephew could have done it. In other words between them they' covered the entire range of present day objections to modernish art.
 

martin

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Which was more recent that or that pile of bricks? But one caused outrage cos it was a child killer done with children's hands, and one was cos my twelve year old nephew could have done it. In other words between them they' covered the entire range of present day objections to modernish art.

I think the pile of bricks was years before, and a good example of one that was brought up frequently on TV and in the rags to ridicule modern art.

@HMGovt’s Glorious Return! 's post reminded me, there was a bit of disquiet over the Chapman Bros - not sure what art critics found worse, the kid mannequins with phallic noses or the brothers defacing Goya prints - but their stuff is probably a bit too conceptual to kick off a media storm (I don't mean that as in the public wouldn't understand it; more like lazy hacks couldn't be bothered to look up Disasters Of War and coherently explain why everyone should be outraged).
 

IdleRich

IdleRich
I think the pile of bricks was years before, and a good example of one that was brought up frequently on TV and in the rags to ridicule modern art.
I have no grasp of time, like what happened when. Maybe if it was the day before I did X or my friend did y but otherwise the past is just one huge blob for me.
 

sufi

lala
i like the idea of aesthetic mobs destroying bad art
77454065-12715381-image-a-38_1699270012671.jpg

this doesnt quite get me there tho
 

sufi

lala
I think the pile of bricks was years before, and a good example of one that was brought up frequently on TV and in the rags to ridicule modern art.

@HMGovt’s Glorious Return! 's post reminded me, there was a bit of disquiet over the Chapman Bros - not sure what art critics found worse, the kid mannequins with phallic noses or the brothers defacing Goya prints - but their stuff is probably a bit too conceptual to kick off a media storm (I don't mean that as in the public wouldn't understand it; more like lazy hacks couldn't be bothered to look up Disasters Of War and coherently explain why everyone should be outraged).
their work and myra hindley and piss christ and that is intentionally shocking on quite a superficial level, damien hurst and tracey emin go for the " oh that is shit my cat could have done it" instead, but it would be good to see some work that shocks by being offensive to the very spirit of art
 

martin

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it would be good to see some work that shocks by being offensive to the very spirit of art
The Luther Blissett mob in Italy did some stuff in that vein - I think there was one prank where they sent off some gore pics they'd found on a dodgy site, pretending it was conceptual art by a made-up Serbian artist (with a joke manifesto), and a load of arty-farties fell for it. Also, something to do with a rescued lab monkey painting artworks, which got a similar response from the art press, but critics turning up to the event were met by a masked man or woman, decrying art as a sham? (I think both were early 2000s...someone here will know more about these). They're kind of funny, but didn't really create ripples beyond their immediate scenes...
 

sufi

lala
The Luther Blissett mob in Italy did some stuff in that vein - I think there was one prank where they sent off some gore pics they'd found on a dodgy site, pretending it was conceptual art by a made-up Serbian artist (with a joke manifesto), and a load of arty-farties fell for it. Also, something to do with a rescued lab monkey painting artworks, which got a similar response from the art press, but critics turning up to the event were met by a masked man or woman, decrying art as a sham? (I think both were early 2000s...someone here will know more about these). They're kind of funny, but didn't really create ripples beyond their immediate scenes...
perhaps we could enrage this cryptomasonic art cult
 

shakahislop

Well-known member
i think there's plenty of this out there, but the contours of it are unfamiliar. in visual art it's a bit hard to shock people with aesthetics by this point, especially the kind of people who go to galleries. stuff like KAWS and jeff koons are hate figures for their work, but it's not because people are shocked by it, it's just because people think it's shit. visual art is such a marginal concern anyway. i have been to galleries with people who have been shocked and disgusted, but that has been because of the content. i don't think i've been shocked by the aesthetics of visual art, i've been impressed and surprised, but i don't think i've ever been enraged.

beyond visual art obviously aesthetic shock is very much of the moment. people hated trump because of what he was saying, but they also hated his aesthetics. what he himself looked like even, his hairpiece and fake tan.

porn obviously is at the forefront of provoking aestethic shock and disgust. whether or not that counts as an artform or not is up for debate. it's certainly a properly influential cultural product. podcasts too, it's partly the aesthetics of red scare, alex jones, joe rogen which some people are attracted to and some people are repulsed by. there's an aesthetic and affective thing going on with podcasts that is underexplored i think

musically i think you see aesthetic shock everywhere on the part of audiences. that's the response that 100 gecs provokes in me. it's not that they've done anything particularly knew, but they fly in the face of my sense of taste. the US EDM thing, like eric prydz, again is like a shock because it's the exact opposite of what i like. skrillex when he first came out provoked the same. but these feel like gentle reactions compared to what you list above.

my ears always prick up when people talk about how much they hate something (some kind of art / cultural product) with venom in their voice. usually it means that something at a minimum interesting is going on.

i think the product / form that the urge to shock takes really shifts over time. music and visual art don't really work for it any more, it is too played out, the corners of taste have been explored years ago now. political communications, arguably podcasts, youtube videos, maybe tiktoks are where that energy lives for the time being. the audience is different too. we individually have a different relationship with shock and disgust and have since we were teenagers, it's not something that we would look to art to do, when it is so easily available elsewhere. the combination of omnipresent video recording and the news is enough to want to protect yourself from aesthetic shock, rather than be remotely interested in being shocked by paintings

one of the most intense reactions i've seen to a cultural product was one of our fancy london friends taking us to a kind of exhibition of cakes, which were in the shape of other things like cars or cricket bats, when we were about 21, my mate could not stop talking about how offensive he found it for weeks after. i think the pointlessness of it really wound him up
 

shakahislop

Well-known member
obviously in the US the collision of wokelandia with artlandia, which are very much overlapping, has produced all kinds of controversies around who is allowed to represent what, which artworks are beyond the pale.

but again that is a content thing, rather than an aesthetic thing. it is about enforcing / breaking some kind of rules. but they are social rules, not aesthetic ones

the thing recently about that actor strapping on a big prosthetic nose is arguably a kind of aesthetic taboo now. there are some identity-related things which are increasingly not allowed.
 
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