That's a very good article. When 24/2 was shown in the UK, it was back to back with a late series of the X Files, and there was a really jarring effect between the two (putting aside the fact that late X Files is awful). What was striking was how 24 was very definitely post-9/11 TV, and the X Files was pre-9/11. The heroics of Jack Bauer et al can only function because he has access to an unprecedented, absurd amount of privacy-busting, civil liberties infringing surveillance tools. In the post 9/11 world of 24, a shady, all-powerful Government-funded black ops wing of the FBI is a force for good, keeping us all safe in our beds at night; the whole premise of the X Files, from the relatively peaceful 1990s when America did not feel such a threat to its security, is exactly the reverse - shady government organisations are what we should fear the most. It's probably unintended, but there's a definite propagandistic element to 24, in which in a climate of fear, total loss of privacy and liberty becomes an essential weapon.