with other machine musics such as 80s european melodic electro pop or whatever the machines are not really speaking a vocabulary where loanwords persist. it's more like machine dialect. I think Autechre were one of the few people to actually say we don't want to speak the language of non-controllable sources, we want an absolute vocabulary that only borrows loanwords.
Musique concrete/early electronic is an entirely different conception. that's about generating sounds out of certain technical confinements within academia, be that scientific, cosmological or purely to do with technology. if that's the creation of the language this is its speech.