He's great on Coltrane LPs Ole Coltrane and Africa Brass (haven't heard the live Village Vanguard yet), and Oliver Nelson's Blues and The Abstract Truth, also on George Russell's Ezz-thetics. Out To Lunch is his masterpiece; lurching, drunken, and free-wheeling but always melodic and somehow structured in spite of everything. There's a strong case to be made for his being possibly the greatest sax and flute improviser ever; endlessly, fluidly inventive. Notes, phrases, and unexpected leaps seem to just bubble out of him.
Re: the flute - I've never read up on this, but it's presumably the oldest melodic intrument, insofar as hollow bone or bamboo can be blown across to produce a note? So it resonates deeply, pun intended. I wonder what "primitive" people made of the discovery of the ability to produce melodic sound like that, vis-a-vis gods, magic, etc. Anyone have any knowledge of/speculation on this area?
Re: the flute - I've never read up on this, but it's presumably the oldest melodic intrument, insofar as hollow bone or bamboo can be blown across to produce a note? So it resonates deeply, pun intended. I wonder what "primitive" people made of the discovery of the ability to produce melodic sound like that, vis-a-vis gods, magic, etc. Anyone have any knowledge of/speculation on this area?