That's funny, I'd always thought they were asemic and more or less arbitrary collections of phonemes.words have meanings
To be clear, yes, Breitbart is hardline racist. You know this, obviously, and are just being a dick about it because you think I'm using this as a roundabout way to criticise his brother, which I'm not. Piers Corbyn is a bellend entirely in his own right.but not "hardline racist"? or is it?
probably not, but your accusation was very precise and slanderous.That's funny, I'd always thought they were asemic and more or less arbitrary collections of phonemes.
And I assume you'll also be taking this finger-wagging tone with anyone else here who uses the word 'fascist', let's say, for a person or thing that doesn't actually meet the dictionary definition of that word?
but i certainly havent studied it in detail. perhaps you could point out some examples? i notice that you still don't mention any actual evidence for these bizarre allegations, that's a bit hypocritical.breitbart
I would ask why, but the last time you decided I was racist it was for criticising the indoctrination of children in Saudi schools to regard gays and people from other cultures as subhuman. Which such a fucked-up position that I don't even know where to start.i don't think breitbart is hardline racist or even overtly racist at all, same with piers corbyn,
(& i washed my hands of jeremy long before you even joined the party) the criticism is of you with your outbursts
probably not, but your accusation was very precise and slanderous.
i wouldn't defend piers either, just want to show you up really, i came across that statement while looking for something else.
i think on those terms you'd probably qualify too, as you are constantly parroting msm dog-whistles, you should try and choose your words more carefully.
your problem is that you don't listen you have a blind spot bigger than your entire headI would ask why, but the last time you decided I was racist it was for criticising the indoctrination of children in Saudi schools to regard gays and people from other cultures as subhuman. Which such a fucked-up position that I don't even know where to start.
its one of your main prejudices, but you think it's not,Eh? Uh, no, not really? Religion isn't a bugbear of mine as long as people aren't being cunts about it.
handing out copies of 'The God Delusion'Would it shock you to learn that I sometimes voluntarily enter churches and cathedrals? That I've been in more than one - wait for it - mosques??? 😲
Mass-Observation is a United Kingdom social research project; originally the name of an organisation which ran from 1937 to the mid-1960s, and was revived in 1981 at the University of Sussex.
Mass-Observation originally aimed to record everyday life in Britain through a panel of around 500 untrained volunteer observers who either maintained diaries or replied to open-ended questionnaires (known as directives). They also paid investigators to anonymously record people's conversation and behaviour at work, on the street and at various public occasions including public meetings and sporting and religious events.
Allegedly Jimmy Savile started playing records in dance halls also in the early 1940s (when he was supposedly working down a coal mine). This is difficult to corroborate, but according to his autobiography at least, he was the first to use two turntables and a microphone at the Grand Records Ball, in the Guardbridge Hotel, in 1947. If so, it’s perhaps not unthinkable that he was cutting his teeth as a teenager in local dance clubs at exactly the time Acland, Harrisson, et al. were working out how best to incorporate the dance club scene into social research and “progressive” movements.
The evidence provided by the Mass Observation material indicates that the world of pop music and dance halls was of crucial interest to the ruling class and, in fact, that it was being used to implement long-term social goals. Before attaining prominence as the dean of pop music in the 1960s, Savile (as well as the Kray twins) ran his own clubs in the 1950s, a period when wartime dance halls steadily morphed into gangster-run venues for drugs and prostitution. And not only did the budding new dance culture overlap with the crime underworld populated by the Kray twins and Jimmy Boyle (and possibly Ian Brady, Myra Hindley, and Savile’s pal Peter Sutcliffe), it also intersected with the interests of Members of Parliament, from social reformers like Acland to occult-dabblers like Driberg and known child molesters like Lord Boothby. Is it a leap to suppose that Savile’s involvement with the world of dance music was part and parcel with his connection to, or employment by, governmental agencies?
Big Cabaret Voltaire vibe there.