Sectionfive
bandwagon house
Whats a Drumpan soundboy ??
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who played keyboards on stooges "penetration"?
actually, i thought it was "fay-hee". i know someone who played with him one time, that's the way my friend pronounces it.
what do house heads mean by calling a track 'tracky' ? and is it related to 'trackheads'? as in a bunch of people who dig tracky tracks?
mostly seen this in reference to 80's/early 90's house
Then again, I also wouldn't be at all surprised if "tracky" just came from the imagined distinction between tracks vs. songs, nothing to do with writing on trackers.
For a piece of music to be called "polyrhythmic", does one of the rhythms have to be tuplets against the main meter?
For example, if the thing is 4 4, is it only polyrhythmic if at least one of the rhythms can be countable in 3s or 5s or 7s or whatever else?
Or is it still polyrhythmic if the rhythms are just different patterns of 4s /8s / 16s?
Whats a Drumpan soundboy ??
Whats a Drumpan soundboy ??
What about when music is described as being/sounding "clipped"?
no there does not need to be a triple time over a duple time to make something a polyrhythm, nor does there need to be two time signatures in it. polyrhythms can be very simple things, or very complex things. a cross rhythm like 3 over 2 or 6 over 4 or whatever is only one specific type of polyrhythm.
Not entirely - eg Reynolds uses it a lot to talk about old jungle break chopping which often isn't polyrhythmic at all - the rhythms are complex, twisty and unpredictable but seldom actually layered in any way...Ah "cross rhythm" - that's a new one on me. Interesting, cheers.
So, broadly, polyrhythmic is pretty redundant when talking about most any music that might get talked about on here?