Now that was interesting. Lengthy, in depth, informative . . . and addressed both the earlier history and Chef's view on things now. Great work, Paul!
That track is big. If anyone wants to hear it, it probably is still up on Burial's myspace page.
Edit: Nevermind, it isn't anymore, but it is coming out on vinyl on LIVE recordings on February 5th. It's not a Burial record though it's a Jamie Woon record. Tracklisting:
A: Wayfaring Stranger
A1: Gravity
B: Wayfaring Stranger (Burial remix)
B1: Wayfaring Stranger (Stitch remix)
i don't mean to be rude, but this sounds like the dubstep version of the type of tracks that made a lot of people stop listening to drum n bass...
i don't mean to be rude, but this sounds like the dubstep version of the type of tracks that made a lot of people stop listening to drum n bass...
interestingly this is the first track burial has made using logic.
what exactly was it that made people stop listening to drum and bass?
I thought it was nasty post techstep...?
i thought the burial remix of jamie woon was really great. I didn't think it had lost anything of what the album had, in fact i think it bodes well for his second album. Does anyone know whether that is coming out sometime this year? Also, on a burial related aside, can anyone tell me whether that tune on his myspace (www.myspace.com/burialuk) a new or an old tune? thanks
jacob
the tracks and remixes which have surfaced since have all been uniformly excellent (ie Crackle Blues remix, Versus, Wayfaring Stranger Remix, Unite) and are better than some of the lesser tracks on the album)... ultra excited by the prospect of a new album...
what exactly was it that made people stop listening to drum and bass?
when i first heard the burial remix, i REALLY didn't like it. hated the drums etc, thought they lacked the organic sound that burial had shown on the album
but now, i love it, probs one of my fave tracks of the minute. it's definitely a grower!
He hasn't really lost his signature sound at all. The drums on this are brilliant, less of the woodblock sound that he favoured before, snares are extremely compact... if you've heard the original Jamie Woon version of this track (ie- follow the link from Blackdown for a youtube video) then you can see the amount of alteration Burial's achieved, he's obviously de-bluesified the melody by contextualising it against darker, more cinematically evocative chords. The other remix doesn't do this and sounds much closer to the original.