When an actor taps into sense memory to convey an emotion, to tell us a story, we're relating with something totally different to what's happening inside of them. They're flexing a muscle. Should that matter to us? Or should we just enjoy the show?
I guess I was more confounded by the concept of inauthentic pathos - I thought of it as someone trying to feel something, but suspecting that it wasn't genuine, and letting that suspicion eat away at them. But your point about acting, about willing yourself into certain emotional currents, sheds another light on pathos and whether it can be called authentic, and whether or not such a distinction is of any importance. I think I'm a bit clearer on your points now.
If you mostly live in your intellect, and it seems you do! (not a diss) That's what tends to happen. But that's fine if it works for you.
Especially lately.
@shiels
just read through that thread, and yeah, I would totally recommend looking further into metamodernism if you haven't already. Personally it served a huge purpose for me. It has to do with being able to move toward a goal that you know cannot be reached - really, I think it can help one pave their way out of a nihilism. Seriously. Or even let someone begin climbing a seemingly insurmountable barricade. But maybe I just give more merit to theory than others.
The process:
1 - moving toward some ambitious because you don't have reason to doubt its attainability
2 - gradually, or suddenly, acquiring more and more reason to doubt its attainability, and giving up
3 - coming to believe that the completion of the goal itself might not have the meaning it has cracked up to have, and that the movement/progress it enables/occasions is really the meaningful stuff - but this progress is only meaningful so long as you believe in the goal? How can that work then?
This is where the metamodernism discourse helped me out. A gradual, but real, divestment from the goal and investment in the progress - and now all of a sudden the goal is dispensable, not just in theory but deep down you can live without getting there, and yet you are still willing to move toward it. In fact, you might as well push it way the hell back, so as to give yourself more ground to cover. The return of enlightenment-scale potential in projects.