questions you are dying to ask but are too scared to b/c of music nerd cred?

Client Eastwood

Well-known member
if you ask me kevin saunderson doesn't get the credit he deserves, he also originated that stab sound that dave clarke stole wholesale, and in some ways, those dubbed out basic channel stabs are an invention building on his stuff. he was also one of the first people from detroit to start doing more hardcore stuff, along side model 500 as infiniti. He's easily the most creative, broadly of those Detroit guys.

Infinti wasnt hardcore, far from it (unless we have a different idea of hardcore) it was more minimal (note : not mnml) kick way low in the mix and hissy tops, not sure without looking I think it came out after the BC styles.
 

mms

sometimes
Infinti wasnt hardcore, far from it (unless we have a different idea of hardcore) it was more minimal (note : not mnml) kick way low in the mix and hissy tops, not sure without looking I think it came out after the BC styles.

yes i mean output i guess.


infiniti was like 94..

anyway still
 

UFO over easy

online mahjong
THE hoover bassline is the bassline sound that originated in mentasim by joey beltram
here you go - quite fierce, its that kind of frequency ossilating mid range sobbing sound.

that's just called a mentasm isnt it?

a hoover always meant something like the bassline that comes in at around 2.30 on this to me - argh what a tune.

more low passed, less abrasive than a reese
 
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doom

Public Housing
What The...

I bet the Roland techs that did the orig presets & PCB layouts etc. are about as disinterested in what was done to / with their creations as the drummer from The Winstons was.

years ago I saw a site that broke down the 'hoover bass' & had lil mp3s of each variation. To me 'Mentasm' has always meant the same basic sound but played in a more stabby staccato kinda way, whereas a hoover is the legato version, often with loads of filtering for maximum chemical effect!

After doin it myself I was always convinced that Ed Rush just sampled Pulp Fiction... I'm prob wrong.
 

mms

sometimes
Did Alex Reece use the Reese in Pulp Fiction? That's what I (evidently incorrectly) always understood it to mean in a d'n'b context.

yes he did but it was obv about ages before that.
the etymology has probably developed offspring though in the form of that particular use if you see what i mean
 

hucks

Your Message Here
yes he did but it was obv about ages before that.
the etymology has probably developed offspring though in the form of that particular use if you see what i mean


Yeah, because people like me misunderstood what it meant!
 

moolac

Well-known member
Yehp... all explained here, but confusingly enough Reese also sampled a section of Beltram's Hoover in one of his ace Tronik House tracks 'Up Tempo' - - he may have made his own version for the track from the Roland Alpha Juno synth WhatThe? preset , but i think he just nicked the sample as it's exactly the same just a different length.

And Reese also has a track called bassline, which features a bassline which isn't what you would really call a 'Reese' i dont think (and which i've had other naming issues with for years as it isn't really thaaat bassy a bassline in club terms, even though it's pretty good)
Also second ye that Kevin Saunderson is ace... i had been wanting to see him play his good shit for ages, until i eventually saw him and he played a couple of his groovier housey ones along with loads of sanitized groovy house (that's usually a bad thing in my book).
 

DJ PIMP

Well-known member
It all hinges on hoover. Is hoover another term for reese, or for mentasm???

People seem to use hoover to mean mentasm which is where it all goes pear shaped, because a reese clearly sounds more hooveresque.

I have debated this with people before IRL.

There needs to be a Council of Techno Disambiguation.
 
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mms

sometimes
Yehp... all explained here, but confusingly enough Reese also sampled a section of Beltram's Hoover in one of his ace Tronik House tracks 'Up Tempo' - - he may have made his own version for the track from the Roland Alpha Juno synth WhatThe? preset , but i think he just nicked the sample as it's exactly the same just a different length.

yeah loads of people nicked that sample though he's not alone!
tronik house was him doing ardcore really wasn't it?
 

hint

party record with a siren
It all hinges on hoover. Is hoover another term for reese, or for mentasm???

People seem to use hoover to mean mentasm which is where it all goes pear shaped, because a reese clearly sounds more hooveresque.


Yeah - I think that's it.

Hoover is the nickname for the sound used in Mentasm (and variations thereof), but people get confused because in pure descriptive terms the name Hoover fits the Reese sound better.

It's interesting how D'n'B has built up this set of codenamed building blocks over the years. Reese, Hoover, Tramen etc.

Has this happened in Dubstep yet? Have any significant Dubstep records sampled other significant Dubstep records?
 

BareBones

wheezy
i have a question, not much to do with nerd cred but i'll ask nonetheless!

I've heard that mainstream and commercial radio stations play different mixes of pop/etc tunes depending on the time of the day. So for instance, they'd have a version of the new britney single which is eq'd with bass rolled off slightly or the high-end boosted a bit which they'd play in the mornings, and a version with the bass boosted which they'd play in the afternoon. I might be getting it the wrong way round, maybe they have their tunes more bassy in the mornings. Apparently the thinking behind it is that people tend to react more favourably to certain frequencies at certain times of the day (or something like that)...

Anyone know anything about this??
 

Pestario

tell your friends
^that's very interesting if that's the case. I know some radio stations like to pitch up tracks to make them sound more 'energetic' but I really think it's so you can fit more ads in.
 

moolac

Well-known member
yeah loads of people nicked that sample though he's not alone!
of course ayee... one of the most notorious loops in techno, its kinda asking for it really if you listen to the start

tronik house was him doing ardcore really wasn't it?
pretty much i guess, cept i dont think you could call 'savage and beyond' hardcore really... 'mental techno' on the flip of 'up tempo' is er...definitely pretty mental, i guess it is hardcore.
 

mms

sometimes
of course ayee... one of the most notorious loops in techno, its kinda asking for it really if you listen to the start


pretty much i guess, cept i dont think you could call 'savage and beyond' hardcore really... 'mental techno' on the flip of 'up tempo' is er...definitely pretty mental, i guess it is hardcore.

kms did a hardcore compilation with manix, blame, terrorize, all these hardcorers that became junglists. He had some foresight that guy.
 

Benny Bunter

Well-known member
tronik house was him doing ardcore really wasn't it?

Ive got Tronik House's 'Straight Outta Hell' on Network, and the sticker on the front calls it 'Detroit Breakcore'. And there's a 2 bad mice remix...

Don't know what Kevin Saunderson thought of 'ardkore though. The standard opinion seems to be that the original Detroit guys hated it and saw it as a bastardisation of real techno, Derrick May being the most quoted example. (im thinking of Simon Reynolds here)

What I'd like to know is: What other Detroit techno records/producers gave a nod to 'ardkore? I'm sure there must be some.
 
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